A Quote by Andrew Rannells
One of the great things about 'Girls' is that each of these characters really does represent a human being. There are definitely relatable aspects to all of these folks, and certainly within my close friend group, those personalities very much exist.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
What I crave, and what I want to see on television, is when you see a minority character, not to have it being about them being black or Asian or Latino. If you watch 'Friends,' for example, it's not about a group of people being white. It's about a group of people being friends, you know? You should just let the characters exist.
The important thing to remember is it's not about balance; it's about integration... to really focus on making sure you're integrating all four aspects of your work, your family, your community and yourself. And it's not about trying to spend equal amounts of time on everything you do each day on each of these things, but making sure you're paying attention to all the things that make it up as a whole human being.
I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.
What does anyone really know about the impetus to go to war? And so much is uncovered in hindsight. And there are aspects of even past wars that are only coming out now. Historians discover letters here, notes there, and look very carefully at different aspects of not only any conflict but any great historical event.
We have aspects in our music that refer to space, like Kometenmelodie, but we also have some very earthly aspects that are very direct and not from outer space but from inner space like from the human being and the body, and very close to every day life.
Motherhood is this sort of "curtain lifting" of tremendous power that we have individually as women. It's tremendously freaky to have a human being grow inside your body and eventually turn into a human being, and then birth that human being, and then have them be separate from you. Those things are scary. It's also really, really scary to face the idea of losing a child and losing someone you love more than you've loved anything before. All of those things are innately really terrifying, and what it does to me is bring me to a direct kind of confrontation with my human vulnerability.
That's one of the things that's great about acting. You can play all the different aspects of a human being.
There's something very, very liberating about Harley Quinn. Much more so than a character like Catwoman or Poison Ivy. Those are great characters. But then again, those characters are more of the femme fatale and the temptress roles.
Characters in a book are very much like personalities divvied up within a family. In the end, it all averages out to a sort of overall averageness.
In animation, you can throw away people's defense. You can go right to the center of things, right through inside someone's heart. The characters anyway, they do represent different aspects of all of us - and put them all together, you get a human being. And so it's got a wonderful purity, a real purity that's so moving, exiting, everything.
It's real time intensive so there's not much time for goofing around, but we are really close and we have a good time with each other. It's a great group.
I have definitely learned - and this is definitely a human nature thing - that people are willing to, in an interaction with a comedian, admit things and talk about things with candor that they would never admit to a group of friends or an individual.
When you're actually boxing, unless it's a proper grudge match, it's less about beating the person up and more about being better within yourself. Being patient, timing things, like chess, so really, it's as much down to you as what the other person does - and that's life.
There are characters in some short stories who exist as people, and there are other characters in different short stories who exist as purely literary constructs. You know, the young man in "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire" - I probably got that right - is a literary construct, and enjoys being a literary construct. He has no life off stage, whereas the young men in "How to Talk to Girls at Parties" were as near to being real human beings as I could possibly get them.
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