A Quote by Andrew Ridgeley
George had performed musical alchemy, distilling the essence of Christmas into music. Adding a lyric which told the tale of betrayed love was a masterstroke and, as he did so often, he touched hearts.
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I really love what Chuck Berry did with Christmas music, and also the Rat Pack Christmas stuff, which I listened to all through my childhood.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
I love all holiday music. My two favorites would probably be Donny Hathaway's "This Christmas" and Nat King Cole's "The Christmas Song." They epitomize Christmas for me. Those two recordings will never be touched. That's why I've never redone them.
England was merry England, when Old Christmas brought his sports again. 'Twas Christmas broach'd the mightiest ale; 'Twas Christmas told the merriest tale; A Christmas gambol oft could cheer The poor man's heart through half the year.
There is emotion in the hug, and there is respect and a form of love. Emotion that comes from honesty, respect that comes from challenge, and the form of love that exists between people whose minds have touched, whose hearts have touched, whose souls have touched. Our minds touched. Our hearts touched. Our souls touched. We separate.
The challenge in any musical is unifying all the moving parts of it, in particular a movie musical because now you're adding the camera and you're adding the idea of adaptation. So the challenge is to stay as true as you can to the material that you love and yet not be afraid to step outside of it and introduce elements into it that make it exist in a satisfying, exciting way cinematically.
I did a Christmas movie where I played Mrs. Claus because my children's favorite movie of all time was a Christmas movie that my father did in which he played Santa, and I was like, 'How often do they make a movie about Mrs. Claus?' and, 'My kids will love this.'
'Tis an old tale, and often told; But did my fate and wish agree, Ne'er had been read, in story old, Of maiden true betray'd for gold, That loved, or was avenged, like me!
From our earliest days in Liverpool, George and I on the one hand and Paul on the other had different musical tastes. Paul preferred 'pop type' music and we preferred what is now called 'underground'. This may have led to arguments, particularly between Paul and George, but the contrast in tastes, I'm sure, did more good than harm, musically speaking, and contributed to our success.
There's been lots of theater that uses hip-hop in it, but more often than not, it's used as a joke - isn't it hilarious that these characters are rapping. I treat it as a musical form, and a musical form that allows you to pack in a ton of lyric.
He used to talk to me about Russia all the time and had sworn up and down that I'd love it here. "To you, it'd be like a fairy tale," he'd told me. "Sorry, comrade. Borg and out-of-date music aren't part of any happy ending I've ever imagined." "Borscht, not borg. And I've seen your appetite. If you were hungry enough, you'd eat it." "So starvation's necessary for this fairy tale to work out?
When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.
...the tale that's told for no other reason but companionship, which is another (and my favorite) definition of literature, the tale that's told for companionship and to teach something religious, of religious reverence, about real life, in this real world which literature should (and here does) reflect.
I've often thought about that and the only suitable member to join me on that climb [to Everest] was George Lowe: he was strong, a good man on a mountain, with a great sense of humour, and I liked that. I think George and I could've done that together ... I've probably never told George that.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
I'm really excited about 'Mingle All the Way'. Obviously I love Christmas, I love Christmas music, and the idea of becoming part of someone's positive memories from Christmas because they watch the movie -- I think that's the greatest thing.
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