A Quote by Andrew Ripp
I'm in a place where the audience doesn't have control over my love for the music. In the past I was waiting on the reaction of the fans to tell me whether or not I had a great record based on how they'd respond.
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My parents were big music fans, and my dad plays music, so I grew up with Madonna, Frank Zappa, the Beatles, Alice In Chains... it was all over the place. I had a Third Eye Blind record, but I also had Korn, Courtney Love, and Shania Twain.
Ever since I can remember I’ve had positive and negative fan reviews. And whether it was positive or negative it wasn’t always based in reality or what my perception of the music was. But judging from playing these new songs live and my feelings on the record [Scream] – and it’s a great record – there is definitely an audience for it. Also, I don’t really go to clubs so I don’t know what sounds are made there.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I'm looking back at what I did and how it works. In a sense I'm waiting to see how people will respond. I'm waiting to see how you respond, without asking me to tell you what I think about it, because it is your job to give me an idea of how you go about thinking about this work. And if it's too absurd then, you know, I'll kick you out!
I was introduced to lots of great music through my local record store. It was a place where people knew music and they knew me, and could make great suggestions and discoveries. Whether it is in the physical world or on-line, the value of a great and knowledgeable record store has not gone away
It's funny, now that we have Twitter and Facebook and stuff, you can really see how you affect fans. Before all that, fans couldn't tell you exactly how they feel, unless they came up after a show, and even then you can't stand there and talk to everybody in the audience. So it's nice to see people tweet me and say, "Your music has changed my life," or "I had my baby to your music," or "I got married to your music." I've heard so many things, and it's amazing to hear people's stories and how you affect their life.
Well, you can’t control what they do, but you can control how you respond to it…whether you allow it to drive you crazy, or occupy all of your thoughts, or whether you note what they’re doing, consider it, and make a conscious decision as to how much you’ll let it affect you
I feel like I had zero control over getting cancer, but I have 100 percent control over how I will respond to dealing with cancer.
The reaction from the fans has, quite possibly, been the most rewarding part of the journey thus far. I feel as though the fans have grown with me over the past 12 years through both triumph and disappointment.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
If it was in my control, Id still be wearing a Red Sox uniform, because its the place I know, I love. All of those fans, Ill always remember. But Im also going to another great place. Im going to a phenomenal city with great tradition as well, phenomenal fans, great organization.
The fans reaction to the record (Red) is incredible. Taylor has been reading many tweets lately and wanted to thank her fans with what they ask for the most.
We're planning to record the 10 Minute Version of All Too Well and a music video. She's busy with touring right now but we will find some time.
I've had big record label presidents look me in the face and say, 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us.'
When you're playing rock music to 10,000 people, you almost attack the audience. When you play acoustic you're waiting for the audience to respond. It's a reverse energy, and you're more vulnerable. It's really intense.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
The fans know what's happened to me over the past couple of years. I lost my family. I pretty much got devastated financially and the fans know that I've had some hard times - and that's the nature of loyal fans. They want to see the people that they love and believe in get back on their feet.
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