A Quote by Andrew Rosenthal
The fact of the matter is, particularly when covering a campaign, which is a very high-speed story, it's incredibly unusual for the reporter to be in the same place as the dateline when the story is filed.
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'The Post' is a fairly fusty place when it comes to profanity. If a reporter tries to get a bad word into a story, the word is usually forwarded to top editors, who consider it with the gravity and speed that the Vatican applies to candidates for sainthood.
Everyone underestimates their own life. Funny thing is, in the end, all our stories...they're the same. In fact, no matter where you go in the world, there is only one important story: of youth, loss and yearning for redemption. So we tell the same story, over and over. Only the details are different.
I am not covering stories as a transgender reporter. I'm a reporter who is transgender. Otherwise, it would be like having a black reporter only cover stories about blacks or a Hispanic reporter covering stories about Hispanics.
What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
There was no way to take the story back, folding it neatly into the place I'd kept it all this time. No matter what else happened, from here on out, I would always remember Wes, because with this telling, he'd become part of that story, of my story, too.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from
Even very smart people can try to shoehorn new information that just doesn't fit into an existing paradigm.For a long time the story that we've been telling ourselves is that humans are just another animal. We evolved from other animals and our place in the universe isn't particularly special. What I'm trying to convey in my book [The Sixth Extinction] is that we are unusual.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
I can relate to historical characters or imaginary ones. It doesn't matter if a story takes place in the future or in the present, as long as the story is compelling.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
Hillary [Clinton] has a resume. What is the story in Hillary's resume? Four dead in Benghazi, illegal emails, trafficking in classified information. The media hasn't gone there on that yet because when covering that aspect of Hillary minus [Donald] Trump, the story is the same.
'Somnia' is a story about loss and, I guess, what you're willing to do to have closure and try and feel whole again. It's a story of redemption in a sense. I don't want to give too much away, but it's a heartbreaking story that's incredibly terrifying.
I think there's a great difference in consciousness in that same way in that when we're young we read books for the story, for the excitement of the story - and there comes a time when you realise that all stories are more or less the same story.
I find the mediums to be incredibly different. In theatre you're telling the same story eight times a week, and in TV that story is constantly changing and you're often telling it out of order based on shooting schedules.
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