A Quote by Andrew Ross Sorkin

As a journalist, a big part of what you do is search for drama and conflict. And a lot of the backstory with 'Billions' is grounded in my journalistic background.
Once He created the Big Bang... He could have envisioned it going in billions of directions as it evolved, including billions of life-forms and billions of kinds of intelligent beings. As a theologian, I would say that the proposed search for extraterrestrial intelligence (SETI) is also a search of knowing and understanding God through his works - especially those works that most reflect Him. Finding others than ourselves would mean knowing Him better.
For me, as an actor, the most challenging thing is creating the character in the beginning because you have to write their backstory. The easy part about doing a sequel is that you've done the film, so you already know their backstory.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Domesticity is essentially drama, for drama is conflict, and the home compels conflict by its concentration of active personalities in a small area. The real objection to domesticity is that it is too exciting.
Everyone always says that conflict is drama, and I agree, but I also don't think you need drama everywhere. Or conflict everywhere.
I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
Truth in drama is forever elusive. You never quite find it, but the search for it is compulsive. The search is clearly what drives the endeavour. The search is your task.
Running a magazine is a journalistic assignment, and part of the fun of being a journalist is that you get to change jobs every so often. Though there's no stated term limit, four or five years should be plenty of time to put your stamp on a publication.
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalist, or a documentarian, however you want to describe it - part of what I do has to be the pursuit of the truth.
When a novelist or screenwriter is looking for a subject, the element he's seeking is conflict. Conflict makes drama. Conflict produces great characters and memorable scenes. So war is a natural topic.
I love making the backstory for myself. I think it's important. Every part I play, I work on the backstory. If it's fully written out in the script, or there are intimations of it in the script, fine. If not, fine, no problem. I'll fill it in, or I'll create what it is.
Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.
The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.
It greatly upsets me when I'm called a journalistic toad - I mean, I am a journalist!
The journalistic endeavor - at least theoretically - is grounded in objectivity. The goal is to get you to understand what happened, when and to whom.
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