A Quote by Andrew Santino

I think Chicago has provided, for quite a long time, a very high level of stand-up comics that make their way out to New York and L.A. — © Andrew Santino
I think Chicago has provided, for quite a long time, a very high level of stand-up comics that make their way out to New York and L.A.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I don't think stand-up is being appreciated as much as it could be and I don't think it has for a long time. There's some great stand-up comics who come to a town and if they're not a name, they don't attract a crowd but in reality there are brilliant people out there.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
Well, I think one of the reasons Chicago became so popular as a filmmaker location is because New York had been used so many times that Chicago, I think, was rediscovered maybe in the late '60s, early '70s for a long time as a new location.
I knew I wanted to be an actor for a long time, but I was based out of Chicago and then I went to New York and I did 'The Upright Citizens Brigade' out there. I had a two-man show with a guy named Oliver Ralli who's now in the band Pass Kontrol, which is a big band out of New York.
If you want to be a chef or a scientist, you've got to know what the current thinking is, so if you want to write comics or draw comics find out what the very best ones are and look at them all and then you'll know where the bars are because the bars are often very high, if you are going to make a splash and make yourself known, you need to get to that level.
I love comics work, and I hope I never stop doing it. But at the same time, I have my own law practice that I've built up over quite a while - it's been more than a decade that I've spent building that business - so it seems a little premature to just shut it down after nine months of working at a high level in comics. We'll see.
Other than friends and family, my favorite things are New York and stand-up. I love doing comedy in New York - I can do way more stand-up here than in Los Angeles.
I'm from Chicago. And I was an actor in high school and college, and I wanted to see if I could make a run of it in this job. So, I went downtown in Chicago, and I went up on a stand-up stage and did an open mic. It went well, so I'm like, 'Alright, I'll give it another try.'
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
I obviously spent a lot of time in New York City, and I loved it, but Chicago has a very different history than New York City does.
One big disturbance, I think, between L.A. and New York is that New York is so condensed and together that it's very hard to be private there. There's a lot of constant interchange, people know what you're doing all the time. Here in L.A. it's the opposite, it's very spread out, unless you make a conscious effort to go someplace and look at something, you don't see it and we hear about it. So in that sense, it's a city where you can be very anonymous if you want to be, or even if you don't want to be.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
I grew up in Cleveland and started doing plays in high school. And I went to the University of Illinois, and I majored in drama. And after school, I went up to Chicago, because I didn't really know anybody in New York or Los Angeles, and I knew people who were doing plays in Chicago.
I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.
This site uses cookies to ensure you get the best experience. More info...
Got it!