A Quote by Andrew Sarris
I've always said to people that auteurism is nice, but it's hypothetical, and gradually you learn how much or how little influence different directors had.
Related Quotes
When I played in Holland, I always tried to lob the goalkeeper. People used to say, 'Oh, you're always only trying to make a nice goal'. But I said, 'Listen, if the goalie is a little bit off his line, how much space do you have on his left or right?' It's not a lot. 'And how much space do you have above him?
When I played in Holland, I always tried to lob the goalkeeper. People used to say, 'Oh, you're always only trying to make a nice goal'. But I said, 'Listen, if the goalie is a little bit off his line, how much space do you have on his left or right?' It's not a lot. 'And how much space do you have above him?'
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
The thing about TV is that it's great work for directors because the responsibility is not ours at all. In a movie, you choose a movie, and everybody points his or her finger at you afterward. It doesn't matter how much influence you had on the script, how much decision you had, or the fact that you didn't have final cut.
The colonel replied that he didn't care how my men had got the job done. He was happy that it had been accomplished. He said that, obviously, no matter how much or how little I knew technically, I was able to get the best out of people I worked with.
The weird thing is I have now met quite a lot of people who are really famous but they are always disappointingly normal and nice. Alan Carr is very nice indeed. Exactly how you would expect him to be, and not that different from how he is on stage.
I might have had too many friends in my twenties. I probably said yes too much, and then I had to learn how to say no. How to get away in order to work on stuff.
I am always struck by how difficult it is for people to see how much cruelty they are bringing not only upon animals but upon themselves and their loved ones and other people, how much we are screwing up the planet, how much we are hurting our own health, how hard it is to change all that, how eager people are to make a buck at everybody else's expense - all those things are discouraging.
It's like with a girl: it's more fun to meet and slowly, gradually learn things about each other. A little mystery is always nice and it's interesting to still learn new things about someone you are involved with.
It's always harder than you think to make a good film. Feature films are a hell of a marathon to say the least. It's kind of your endurance. How much can I push? How much do I care? How much time it takes is a nice reminder.
I had to learn about how to use my voice as an instrument, like a muscle in my body when I dance. I had no idea how much you could do with your voice and how much you have to look after it.
He had a lot of talent, but didn't have much dedication, wasn't organized, didn't know how to learn, didn't know how to comprehend what he was doing, didn't try to learn how to get better.
Doctors quickly learn that how much they make has little to do with how good they are. It largely depends on how they handle the business side of their practice.
I find it satisfying that what I've done in photography has had so much influence in how people take photographs and what they look at and how they look at things.
I had a reporter ask me how much I weigh. I said to him, 'You go first: How much do you weigh?' People always ask me what I eat. Other artists don't get asked these questions.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
Related Authors
Andrea Dworkin Quotes
American
Critic
bell hooks Quotes
American
Critic
Charles Lamb Quotes
English
Critic
Charlie Brooker Quotes
English
Critic
Chuck Klosterman Quotes
American
Critic
Elvis Mitchell Quotes
American
Critic
Henry Giroux Quotes
American
Critic
Henry Louis Gates Quotes
American
Critic
Howard Rheingold Quotes
American
Critic
Jerry Saltz Quotes
American
Critic
Kimberly Guilfoyle Quotes
American
Critic
Roger Ebert Quotes
American
Critic
Roland Barthes Quotes
French
Critic
Terry Eagleton Quotes
English
Critic
Walter Benjamin Quotes
German
Critic
William Hazlitt Quotes
English
Critic