A Quote by Andrew Schneider
If you're going to be a healer, it's not enough to read books and learn allegorical stories. you need to get your feet wet, get some clinical experience under your belt.
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You've got to pay the bills, and you want to get your foot in. The great shows usually aren't going to look for somebody completely untested, so you have to kind of get your feet wet doing other shows.
I tell aspiring entrepreneurs all the time: Validate your idea locally. Get some experience under your belt. Prove your idea has legs where you are. Spend some time as a big fish in a small pond. Demonstrate that there's a there there... there. Where you live.
When I was at drama school some of the teachers, who were very wise, said to me, 'You're going to be a great actor in your 50s. Now, you're not malleable enough. You're doing one thing well but you need to loosen up a bit.' That happens to actors. You learn more about it and hopefully you get better at it as you get older.
When people ask for book recommendations, I say this: Do some math. If you read one book every week for the rest of your life, and if you're lucky enough to live for 50 more years, you're only going to get to 2,600 books.
Even though you try very hard, the progress you make is always little by little. It is not like going out in a shower in which you know when you get wet. In a fog, you do not know you are getting wet, but as you keep walking you get wet little by little. If your mind has ideas of progress, you may say, 'Oh, this pace is terrible!' But actually it is not. When you get wet in a fog it is very difficult to dry yourself.
There's a hunger for stories in all of us, adults too. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them.
Bush has not read enough books to have a developed moral sense. The fewer books you read, the easier it is to become fundamental. In some ways my antiwar stand here is also a stand on anti-literacy. Someone should get G.W. into a reading program, get him to join a book club. Have him read Hamlet, King Lear.
I think we need to get smart enough to do what's going to help us and not just continue to do things that are going to hurt us. It's pretty easy to read something or hear about it in a message, but it's that personal application of that where it's just you, God, and your problems, that are going to give you the power to get stronger and stronger.
It's always good to get a smaller tournament under your belt so that by the time you get to the Slams, you have a lot of experience.
When you start out somewhere, you've got to get your feet wet. You got to find your place.
I was so frustrated with him. "I just want to be enough for you, but I never can be. This can never be enough for you. But this is all you get. You get me, and your family, and this world. This is your life. I'm sorry if it sucks. But you're not going to be the first man on Mars, and you're not going to be an NBA star, and you're not going to hunt Nazis.
If you are reading in order to become a better reader, you cannot read just any book or article. You will not improve as a reader if all you read are books that are well within your capacity. You must tackle books that are beyond you, or, as we have said, books that are over your head. Only books of that sort will make you stretch your mind. And unless you stretch, you will not learn.
Somethings get easier. You get more confident in your abilities and you learn what kind of stories sell and what don't. But your standards kept going up with your skills, the business aspect of writing grows more complicated, and it becomes really hard to maintain any semblance of a balanced life the longer you're at this. No matter what level you're at, writing is always difficult.
The cool part of being an entertainer is getting the opportunity to get your feet wet in all areas.
You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.
Because, as we know, almost anything can be read into any book if you are determined enough. This will be especially impressed on anyone who has written fantastic fiction. He will find reviewers, both favourable and hostile, reading into his stories all manner of allegorical meanings which he never intended. (Some of the allegories thus imposed on my own books have been so ingenious and interesting that I often wish I had thought of them myself.)
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