A Quote by Andrew Schulz

I've done the Hoboken Comedy Festival. It's cool. — © Andrew Schulz
I've done the Hoboken Comedy Festival. It's cool.
I hadn't done a comedy for a while. I had directed a very low budget movie called The Ape and it was playing at a festival in Austin. Judd [Apatow] was there and he came and saw it and it's kind of funny.
There's no reason to be doing comedy during the day in a hot tent. I don't know why anyone thinks it's a good idea, but festival after festival keeps doing it. I did see some of the other comedians struggling.
There was a producer from the Aspen Comedy Festival who happened to be there, as a friend of a friend, and she said, "I'd like to book you into the Aspen Comedy Festival," and we said, "Well, there isn't really a show to book in, this is just a little showcase and it's really our workshop." And she said, "No, it's great, I love it, just do exactly what you did."
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
Only in Texas can mesquite have its own festival, then there's a crawfish festival, a festival for strawberries, everything has its own festival, with each town having their own yearly thing.
We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
The first time I came to the Comedy Festival some nutcase shot a bunch of people in Tasmania. I thought, 'Oh, that's just Tasmania.' The second time I came, some nut shot up Columbine High School. Now I'm here again, and another nut just shot up a high school in Minnesota. If you can't see the connection between me playing the Comedy Festival and mass murder, you're no good at conspiracy theories.
January 14, 2000, was my first time on stage, and I've been hooked ever since. I got discovered nationally in Seattle by the now-defunct HBO Comedy Festival, and that led to an appearance on 'Jimmy Kimmel Live' and a path to a professional comedy career.
I've never done an actual Western, and I would love to do that. I've done drama and dark comedy stuff. I've never really done a romantic comedy either. I would do that.
I have an Italian comedy at the Venice Film Festival.
With 'Half Nelson,' we went to Sundance and then we just bam, bam, bam, festival, festival, festival, festival and then we released in August.
In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.
Acting is a trick word invented in the festival of Dionysus, before Christ, in Greece at a fertility festival. That's where theatre came from: a fertility festival. No women were allowed. All the men played all the parts.
There's nothing more dramatic than the comedy I've done. Because the comedy I've done is to get to the audience, get them to feel it, or they won't laugh.
Rent Control was an interesting movie. It was directed by... I had done a couple of plays off Broadway, and this Italian director came, his name was Gian Luigi Polidoro, and he determined I was the person to play the lead in his low-budget comedy. He'd won an award at the Venice Film Festival, and... He was, y'know, a skilled director.
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