A Quote by Andrew Scott
I do sometimes play characters that are a bit ambiguous. You've got to be brave about that sort of stuff. I like the sense of people not feeling too secure, not immediately knowing what they have in front of them.
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I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.
You have to imbue the characters with their own sort of feeling of justification and morality. Everyone has that, whether we see them as evil or not. So I try to bring the characters to life by making them likable or lovable, in the sense that they can be, at least to themselves.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
Sometimes it's easy to do brave things in front of a thousand people, but it's hard to do them in front of a handful. It feels so much more exposing.
I don't tend to think of the characters i play as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
When you're writing about people that are not very well off, you seem to see the kitchen sink. So it was a bit of a sort of cosy phrase that got used a bit too much.
With adoption, there is a whole range of experiences, and a lot of it goes under the radar. There is too much icky stuff about it - all this stuff about people reunited, a sickly sentimentality about blood lines. For me, at least, life is much more ambiguous than that.
Sometimes, you can be your own thing that hurts you. It's you. It's like knowing too much of the game when really all you need to do is play the thing that's really happening in front of you.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
Sometimes I get this gut feeling about people - maybe I sense a hidden agenda or that they care for the money more than the message. I wish that I'd listen to that feeling instead of waiting for the truth to rear its ugly head. I'm a smart girl. I'm loyal. But sometimes I'm too loyal. I'm not loyal enough to myself.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
For all the benefits of being in the public eye, there is the odd downside, too. Twitter goes mad sometimes with people saying weird stuff. It is a bit strange, but you can just ignore them. It is not even worth getting worked up about.
I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.
I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
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