A Quote by Andrew Sean Greer

Definitely for writing, what inspires me is poetry, which I have next to me all the time because I think they're doing what I'm doing, but much harder, more condensed. It's the same job, but they're more talented. All of them. So I just steal openly from them.
I love what I do and I'm super confident in it, but I also think of myself as humble in it. It's not better than what anyone else is doing, but I'm doing the best job of being exactly who I am, and doing what I want to do today. It feels so good to me that it doesn't really matter what it means to other people because that's more about them than me. I'm in a really great place with it.
Writing is harder than acting. I enjoy acting for just the brevity with which you can be in the experience of doing it. Writing is kind of more satisfying in that you're creating a world and doing something that feels bigger, but it's very time consuming and has a higher threshold for failure.
Therefore, doing the Stations of the Cross was still more laborious than consoling, and required a sacrifice. It was much the same with all my devotions. They did not come easily or spontaneously, and they very seldom brought with them any strong sensible satisfaction. Nevertheless the work of performing them ended in a profound and fortifying peace: a peace that was scarcely perceptible, but which deepened and which, as my passions subsided, became more and more real, more and more sure, and finally stayed with me permanently.
People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.
My family have always supported my rap - and they know I love them when I rap about them - but I'm just Michael Jackson to them. They care more about me. I express my love for them in a much more personal way on this record. It's about our conversations; my fear, and their advice. I know my sisters are gonna hear "Willie Burke Sherwood", which is named for my grandfather, and cry. I used to do music for me, because my ego needed it, but now I'm doing music for my family and friends who helped me become a rapper.
I think success has a downside. The more successful you get and the more out there you are in the world, the more vulnerable you are and the more you are open to hate, especially because of social media. But it also depends what you class as success, because someone could do something mean and class that as success for them. But for me, if you're doing something positive that's allowing someone to have a better wellbeing, or embrace their life more, you have to go for it, but know there's always going to be people who hate on you for doing what you're doing.
I mean, you can't make anything without making mistakes, is the truth, and I'm very grateful for those misses that I've had in my career at home, because you learn so much more from them than you ever do from the hits. You learn that you really have to work hard, which I wasn't really doing at that time. You sort of think 'I've cracked it, I'm doing it.'And you start to think perhaps you're more of a dude than you really are.
There are a lot of things a person with two hands couldn't steal," Eddis said. "So?" "If it's impossible to steal them with two hands, it's no more impossible to steal them with one. Steal peace, Eugenides. Steal me some time.
Marrying the right girl is even more imperative today than it was when I was 23 years old because it's so much harder to get on as an imaginative writer like me now. You need to have somebody who believes in what you're doing and who never is skeptical about what you're doing. My wife thought it was a great thing for me to be a writer because in practical terms it freed her to do what she wanted to do, which was work.
Hellboy was entirely the comic I wish someone much more talented than I was doing, because I would have been a huge fan of that comic. But nobody was doing it, so it fell to me to do it.
They will do more whether we do what we're doing or whether we don't do what we're doing. And the idea that you could appease them [terrorists] by stopping doing what we're doing or some implication that by doing what we're doing we're inciting them to attack us is just utter nonsense. It's just - it's kind of like feeding an alligator, hoping it eats you last.
I think we live in an era without a predictable career path. Everybodys doing more, doing more at the same time, doing more faster. As such, individual projects can have wildly different developmental trajectories.
I think that we live in a time where it's easier to be suspicious of dedicated men and women, people dedicated to their craft, because the world around them inspires them to be lazy. It inspires them to be negative. It inspires them to be snarky.
It's much harder, much more work to be your own artist, and it's hard for me to just want to do one thing. I love doing my own music, but I really have to get into a groove with it, which has been difficult over the last few years because I've had so much great work coming in.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.
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