A Quote by Andrew Sean Greer

With each book, I'm trying to do something that terrifies me. — © Andrew Sean Greer
With each book, I'm trying to do something that terrifies me.
You were trying to tell me something and I was trying to tell you something else. We didn't trust each other and that was reason enough to make each of us right.
I don't plan on ever letting my daughters date. I'm going to try to do everything I can to prevent it. You know, it just terrifies me. It just terrifies me.
I sure do love theater. I mean, that's where I started. I am actually sort of shy, but something happens when the audience comes in. It's something nice for me. It terrifies me, but I'm able to do it.
What keeps me awake at the wheel is the thrill of trying something completely new with each book. I’m not a risk-taker in life, generally speaking, but as a writer I definitely choose the fast car, the impossible rock face, the free fall.
I haven't really done a lot of comedy. It's something that terrifies me.
I think I'm losing it—I don't know what's happening, what happened, but I look at you, I look at you, and I love you so much. Not because of anything you've said, or done, or anything at all. I look at you, and I just love you, and it terrifies me. It terrifies me what I would do for you.
I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.
I suppose also that watching marketing and publicity stuff play out from behind the scenes, making those plans and seeing each piece fall into place or not, each year, for each book, has made me a little more tranquil about the process for my own book than I might otherwise be.
I have children, and this notion - that there might be a single book that introduces children to literature - terrifies me. But you could do worse than Mary Norton's 'The Borrowers.' I loved it as a kid, and my kids love it, too.
My wife gave me a book before we got married, Oh, the Places You'll Go!, by Dr. Seuss. She was trying to tell me something, about what I was capable of, but I didn't get it. Over time, I've sort of lived the message in that book, and I couldn't have without what golf taught me. So I put it in my bag while I played the Old Course, and on the last hole when I posed on the Swilcan Bridge, I held it up.
My dad has pretty much taught me, he's built this thing with me, he trains with me, practices with me, goes to the gym with me, we battle each other at the go-kart track. We're so competitive with each other, and I feel like we both make each other better because we're so hard on each other, just trying to be the best we can.
It's not so much that I want to direct but that I have to. When I write something it terrifies me that if I give it to someone else and it doesn't turn out as it could have done, I'd feel as if I'd orphaned my baby.
I'm not trying to do something in particular each at-bat, I'm just trying to get the most out of that at-bat, do something that helps the team in the long run.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
I don't like improv at all. It terrifies me. I like to know exactly what I'm going to say. Being surprised does make me a better actor. Anytime I'm afraid of something that makes me rise to the occasion, it scares me, but it's what makes great actors - being in the moment.
Every book changes my writing because I'm always trying to do something I didn't do before. I try to do what's hard for me, what I haven't done in the past.
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