A Quote by Andrew Sean Greer

I heard you had to get 200 rejections before you got published. — © Andrew Sean Greer
I heard you had to get 200 rejections before you got published.
Most writers, including myself, had to endure a lot of rejections before finally getting published. You could wallpaper a sizeable bathroom with the rejection slips I have received. Don't ever give up!
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
It had been fourteen years and I hadn't had anything published. I had 250 rejection slips. I got my first novel published and it was called Kinflicks. It turned out to be a best seller.
I had almost nothing published until I had something published in 'Sports Illustrated.' I started there as a fact-checker two weeks after I got out of college and was there for almost 20 years.
I had almost nothing published until I had something published in Sports Illustrated. I started there as a fact-checker two weeks after I got out of college and was there for almost 20 years.
I've had teams where we've had to get on a bus for 200 miles, play a game, and then drive 200 miles back.
I got into Kiss before I got into anybody. The first thing I heard was 'Detroit Rock City.' I heard it in the school library, where I lived.
I got into Kiss before I got into anybody. The first thing I heard was Detroit Rock City. I heard it in the school library, where I lived.
Somewhere along the line, I realized that I liked telling stories, and I decided that I would try writing. Ten years later, I finally got a book published. It was hard. I had no skills. I knew nothing about the business of getting published. So I had to keep working at it.
My lectures are published and not published; they will be intelligible to those who heard them, and to none beside.
I got brilliant stories from people who'd never set foot in an MFA program and had published very little, and terrible stories from people who'd published a lot and had all the credentials. It was all over the map and that was part of the fun.
It was a question I got asked often from my friends when they heard I had entered Miss S.A. - 'will you get a weave?' I always said I haven't changed myself before so why should I now change for a competition?
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.
We had started the tour hoping to make about 200 pounds each as the All Blacks (All Golds) had done the previous year. We got nothing and were lucky to get home!
The writing life doesn't move in a straight line. I've had successes and rejections all along the way, at every stage of my career, and I will continue to do so. Acceptances and rejections don't define me. They're both part of what it means to be a writer. My job is to simply keep doing the work.
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