A Quote by Andrew Sean Greer
I think screenplay is hard. I've tried that, and it felt really difficult; like, all the stuff I think I'm good at, like description and internal experience and memory, you can't do that - or, at least, I couldn't figure out a way.
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I feel like I have way more resources, way more experience. I'm better. But my fans romanticize the earlier stuff, and I don't think it's just like a nostalgia thing of "He's not as good" - I think it's because that earlier stuff was aggressively marketed as a lifestyle to them.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
Yeah. I?ve always felt this way. I mean we?re born alone, we die alone. And while we?re here we are absolutely, completely sealed in our own bodies. Really weird. Kinda freaks me out to think about it. We can only experience the outside world through our own slanted perception of it. Who knows what you?re really like. I just see what I think you?re like.
I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it.
People are going to bash you. You get rejected. It's hard. I don't really feel like that's my place as the teacher. I think the most important thing is to figure out what they're trying to do and turn them onto writers who are doing similar stuff. I think that's something I can do more than anything else: get them to be big readers.
I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.
Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.
I've tried the female thing. I was in a movie called Dinner for Schmucks a couple of years ago with Steve Carell and I created a female character for that movie. And after a few months of trying her out on the road it just didn't work. I mean, I can think like a terrorist, I can think like a white trash guy, I can even try and think like an African American, but I can't figure out how a woman.
I am manageable. I, you know, it'll suffice I think. No, no, I feel pretty good. I trained for a long time and I got really cool, like I was doing jumps. It got like, I felt really good, but then when I got out on gravel and fake snow and - it just kind of all went downhill. But I think it's still okay.
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
The thing that can get confusing is you think, is this guy really a good player or does he just seem that way based on the way that they are playing. That takes longer to figure out, if they really are a good player or they just seem like one [bad].
I don't want to sound like a heroic woman or to seem full of myself, but I do have a core of trust that I'll figure things out and find my way. And if whatever I try is not a good experience, even that is a good experience. If something turns out lousy, it's interesting.
I never really planned a career. I've tried to avoid it. I've tried to do this stuff I felt for, the stuff I like. So, I've just been meeting these fantastic directors who've offered me a variation of different parts and different films.
I'm right now wrapping up the sermon series on grace. I'd like to figure out what this next series will be in January. To do that, I'm going to come up with four or five really good ideas - at least that I think are really good ideas - and if I don't sense God really highlighting one of those, I will go to the elders of our church and my co-pastors.
A lot of people think I'm difficult to work with. It's not like I really want to do that much stuff, so it doesn't really matter. I guess I'm somewhat difficult when it comes to comedy.
When Elvis was performing, you just tried to figure out a way to get there. I think he set all the records and anyone that has ever had the good fortune to see him, you know what it's like to try to get in to see Elvis. It was impossible, practically.
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