A Quote by Andrew Sean Greer
'A High Wind in Jamaica' is like those books you used to read under the covers with a flashlight - only infinitely more delicious... and macabre.
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School did give me one of the greatest gifts of my life, though. I learned how to read, and for that I remain thankful. I would have died otherwise. As soon as I was able, I read, alone. Under the covers with a flashlight or in my corner of the attic—I sought solace in books. It was from books that I started to get an inkling of the kinds of assholes I was dealing with. I found allies too, in books, characters my age who were going through or had triumphed against the same bullshit.
Ever since we crawled out of that primordial slime, that's been our unifying cry: "More light." Sunlight. Torchlight. Candlight. Neon. Incandescent. Lights that banish the darkness from our caves, to illuminate our roads, the insides of our refrigerators. Big floods for the night games at Soldier's field. Little tiny flashlight for those books we read under the covers when we're supposed to be asleep. Light is more than watts and footcandles. Light is metaphor... Light is knowledge. Light is life. Light is light.
Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers.
I actually don't read comic books. I did when I was a kid - I used to read a lot of 'X-Men' comic books. I read a couple 'Scott Pilgrim' this past year, and those are really good, but I don't read in general, unfortunately.
For there is a wind or a ghost of wind in all books echoing the life there, a high wind that fills the tubes of the ear until we think we hear a wind, actual.
She understood now why her friend Elizabeth, with her near-genius, analytical mind gave wide berth to murder mysteries, psychological thrillers, and horror stories, and read only romance novels. Because, by God, when a woman picked up one of those steamy books, she had a firm guarantee that there would be a Happily-Ever-After. That though the world outside those covers could bring such sorrow and disappointment and loneliness, between those covers, the world was a splendid place to be.
I'm not really into comfort books. There are too many of those as it is. Just sort of narcotic books, like my grandmother used to read. They have value like Paxil has value, but there's plenty of them in the world already. There's a shortage of confronting, stimulating, exciting books.
I have big plans to read books over again, but I've never re-read anything. The only books I've read over again are the books I didn't pay attention to in high school.
The truth is, my life was made infinitely more difficult because I didn't read any books. But I didn't read any books. That's my story. That's my truth.
I'm a huge fan of Tolkien. I read those books when I was in junior high school and high school, and they had a profound effect on me. I'd read other fantasy before, but none of them that I loved like Tolkien.
There is a very strong socialist movement in Jamaica. I was in Jamaica years ago. All the talk, all day they talk politics. The literacy rate is very low. Everyone is so interested in politics, more than those who can read in the United States.
I picked books by their covers - the worse the cover, the more I wanted to read it.
Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page.
I've read over 4,000 books in the last 20+ years. I don't know anybody who's read more books than I have. I read all the time. I read very, very fast. People say, "Larry, it's statistically impossible for you to have read that many books."
The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
Within comedy, macabre is the root, and a lot of art - Goya, Bosch, Dali - is macabre. Even Van Gogh, if he paints a chair, there's an element of the macabre within it.
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