A Quote by Andrew Shaffer

Every published writer, myself included, was at one time unpublished. All writers know what rejection feels like. — © Andrew Shaffer
Every published writer, myself included, was at one time unpublished. All writers know what rejection feels like.
In the end, the difference between a published writer and an unpublished one comes down to one thing: The unpublished writer gave up, and the published writer didn't.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
Every writer, no matter published, unpublished, award-winning, or bestselling, faces insecurity. It crops up everywhere and, in my personal experience, nearly every day. It's just a part of the process.
There’s only one difference between published and unpublished writers, and it is this -- the first group see their work in print on the shelves of Waterstone’s or Tesco or online at Amazon; the second group are yet to have physical evidence of the hours, weeks, years spent fashioning words into their patterns. You are already a writer.
The only difference between a published and unpublished writer is a tolerance for imperfection.
Every famous writer was once an unknown writer. If publishers never published new writers, they wouldn't be publishing anyone at all after a while.
Writing a book is like an unknown abyss, every time. Every book is different. Contrary to what unpublished writers think, it's horrible to have a book out.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
Most writers, including myself, had to endure a lot of rejections before finally getting published. You could wallpaper a sizeable bathroom with the rejection slips I have received. Don't ever give up!
Ghosting's a horrible thing, isn't it? It doesn't feel good, it feels like a rejection. And what's more, it feels like a rejection where there's no closure.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
Yeah, well, we're all writers, aren't we? He's a writer that hasn't been published, and I'm a writer who hasn't written anything.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
Writing careers are short. For every 100 writers, 99 never get published. Of those who do, only one in every hundred gets a career out of it, so I count myself as immensely privileged.
A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very 'deep' things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published.
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