A Quote by Andrew Solomon

Writing 'The Noonday Demon' turned me into a professional depressive, which is a weird thing to be. A class at the university I attended assigns the book and invited me to be a guest lecturer.
I think it's very important for someone going to buy a book, taking a class or listening to a lecturer to ask, "Is this the right thing for me to do now? If it isn't, guide me to what I need."
In a chemistry class there was a guy sitting in front of me doing what looked like a jigsaw puzzle or some really weird kind of thing. He told me he was writing a computer program.
The only time I felt like a weird exploiter - even though I knew I wasn't one - was when I was writing a sex scene between me and my adorable co-star [Adam Driver] in which he had to tell me how much he loved my potbelly. It seemed like a weird wish-fulfillment thing, where I'm directing my own fantasy.
The demon of acedia -- also called the noonday demon -- is the one that causes the most serious trouble of all. . . . He makes it seem that the sun barely moves, if at all, and . . . he instills in the heart of the monk a hatred for the place, a hatred for his very life itself.
People didn't know certain things about me, which... I was out of creative writing class in school, Syracuse University; had a B.A. in English and wanted to write the great American novel but I also loved rock and roll. I was in bar bands all through college, playing fraternities and have to know all the songs in the top 10. That kind of thing.
I do less of that stuff now because I figured out that when I was writing things I didn't care about, it made me angry and depressed, so I turned my focus to what does make me happy, and also I recognized that one of the things that gives me great happiness is teaching creative writing, and so I could write profiles of professional golfers or I could be a professor. Being a professor made me much happier.
The whole thing for me is that I did 'Full House' and 'America's Funniest Home Videos,' and I look like a dentist, and I'm a dad. Being known as a dirty comedian turned into this weird thing. It's people's image of me.
As a young woman, I attended Witwatersrand University in Johannesburg, South Africa, which was then not segregated. But I witnessed the weight of apartheid everywhere around me.
I attended schools in Seattle through the University of Washington, from which I was graduated in 1931. I spent the next year at Northwestern University.
The second book, which was probably more from a professional standpoint - when I read Junot Díaz's Drown, I was like, Oh my god, you can write these stories and people will actually read them beyond your own little community. This guy's book is blowing up and it seems like [he's writing about] the neighborhood that I grew up in. That was a big deal. I read that in graduate school, so that's when I was really taking writing seriously, but I didn't know you could do it. I didn't know you can actually be an author. It was a weird epiphany.
I really wanted people to pay attention to me and like me. And the class clown thing, you know? There's a weird desperation to the class clown when you really investigate it. Why are they trying to be the clown so much? They're filling some kind of hole.
I was a guest at CalArts. John Baldessari invited me out a few times. I've been there. I've been in Pasadena, taught out at Boulder, University of Colorado. And I've taught in Europe. I've lectured and taught. I've taught at the École des Beaux-Arts in Nigne [sp]. I was there for a couple of weeks, I was there. I've taught all over - in Switzerland, Germany.
You have to be invited to the party. You have to be invited to work, which is weird. That can be frustrating. But gender inequality is pretty similar through almost every industry, unfortunately.
I always have strong feelings when I'm writing a book. Sometimes when I'm writing a book, I even cry when I'm writing. Once I read a quotation that I thought was very true for me, which is: "No tears in the writer, no tears in the reader."
The drama teacher that I had in high school, back in Texas, was the only teacher who didn't kick me out of his class. He turned me on to 'The Freewheelin' Bob Dylan.' I had picked up Dylan with 'Bringing It All Back Home,' and he turned me on to the first couple of albums, which I hadn't heard.
I was going to be a writer, and that turned into journalist. And then that turned into a career in children's literature, which turned into early childhood education, which turned into psychology, which turned into premed, which turned into nursing school, which turned into communication, which turned into marketing and advertising.
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