A Quote by Andrew Solomon

I think an awful lot of the diplomatic problems that exist in the world come from people assuming that their society is the one with a purchase on truth. — © Andrew Solomon
I think an awful lot of the diplomatic problems that exist in the world come from people assuming that their society is the one with a purchase on truth.
People have an awful lot of problems that society has put on them and a lot to work through because of it.
It doesn't mean we're not going to be tough across the world, it doesn't mean that we're not going to always put America first in everything we do. But we have big problems in this world. And I don't think we can solve these big problems by making believe that people don't exist. They exist. We have to talk to people.
A lot of problems in the society exist because we don't talk about it.
I am guiding you to seek truth from the facts of the historical conditions of our society and to identify the problems. The correct solutions will come with the correct identification of the problems.
There are certain neighborhoods in America like that - like in Pittsburgh, where I'm from - where people wouldn't think it's even livable for human beings. Those are the areas that I connect with because I come from places like that, and I just think it's interesting how the rest of the world acts like it doesn't exist. But a lot of the best things come from there.
I don't think that stability and the status quo go together at all, not in a flat world where people are integrated, where women are assuming new roles, where young people want to be consulted and participate. I think the trick is to open up, move down the path of reform, do it in a way that is consistent with your own society's stability and culture, and just don't think you can do nothing.
It's deeply humbling to realize that there is no such thing as a society with a purchase on truth.
I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.
The American people have to think hard about their definition of the meaning of the good life, that hedonistic, materialistic society of high levels of consumption, increasing social inequality is not a society that can be part of the solution of the world's problems.
I care about helping to address these problems of social cohesion and understanding what economic problems people think exist.
There are no problems that exist in the District that have been solved elsewhere in the country. Whatever problems exist in this city exist other places.
I think I'm getting there, but it's very hard to perform at my absolute peak when an awful lot of people come just to make their presence known, when the lights go down and all you can hear is people screaming.
I think a lot of people are afraid the truth is in conflict with God. And are unable to let go and let the truth of the world.
A lot of people think that in order to be an addict you must come from a broken home or from the other side of the tracks. Both of those excuses couldn't be farther from the truth. I come from a family that has a lot of love for one another and I was raised in a middle to upper class neighborhood.
When people come to you with problems or challenges, don't automatically solve them. As a mama bear, you want to take care of your cubs, so you tend to be protective and insulate them against all those things. But if you keep solving problems for your people, they don't learn how to actually solve problems for themselves, and it doesn't scale. Make sure that when people come in with challenges and problems, the first thing you're doing is actually putting it back to them and saying: "What do you think we should do about it? How do you think we should approach this?".
Sometimes, though, I feel that pushing books is a whole lot like pushing medicine. Think of books as pills. I have pills that cure ignorance and pills that cure boredom. I have pills to elevate moods and pills to open people's eyes to the awful truth: uppers and downers as they were. I sell pills to help people find themselves and pills to help them lose themselves when they require escape from the pressures and anxieties of life in a complex society.
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