A Quote by Andrew Solomon

I would certainly not want my child to be schizophrenic. I wouldn't want him or her to be a criminal either. If, on the other hand, I had a deaf child, it would help that I have developed a real admiration for Deaf culture.
If someone says: "I don't want to have a cochlear implant, because I want my child to grow up with a rich sense of deaf culture," he must acknowledge that the deaf culture that exists in the world today has a different scale than the deaf culture that's likely to exist in the world 50 years from now.
I know a little bit about deaf culture because a friend of mine has been in the deaf culture for awhile. Over the course of 25 years, she and I have talked about many of the issues and concerns for deaf people and deaf culture.
I'm a proud person who happens to be deaf. I don't want to change it. I don't want to wake up and suddenly say, 'Oh my God, I can hear.' That's not my dream. It's not my dream. I've been raised deaf. I'm used to the way I am. I don't want to change it. Why would I ever want to change? Because I'm used to this, I'm happy.
The transept belfry and the two towers were to him three great cages, the birds in which, taught by him, would sing for him alone. Yet it was these same bells which had made him deaf; but mothers are often fondest of the child who has made them suffer most.
I know what it's like to be growing up, called 'deaf and mute' and 'deaf and dumb.' They're words that are very degrading and demeaning to people who are deaf and hard of hearing. It's almost... it's almost libelous, if you want to say that.
Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."
I would love to do a talk show. Naturally, I would love to do more films. I'd love to be able to see casting directors more willing to put in a character who happens to be deaf. I'm not talking about doing deaf storylines, but putting in deaf characters. I'd love to be able to do Broadway.
Please don't kill the child. I want the child. Please give me the child. I am willing to accept any child who would be aborted and to give that child to a married couple who will love the child and be loved by the child.
The interests of the deaf child and his parents may best be served by accepting that he is a deaf person, with an elaborate cultural and linguistic heritage that can enrich his parent's life as it will his own.
The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.
With the right support, a deaf child can do exactly the same as a hearing child, yet constantly, they're being failed.
I grew up with deaf teachers, and I thought all deaf children should have exposure to deaf educators.
Speech is the birthright of every child. It is the deaf child's one fair chance to keep in touch with his fellows.
You want a child who never makes you anything but proud? Please. Don't bother taking on parenthood if you can't handle the fact that sometimes your child's identity won't be what you would have chosen. And if you want to prevent a child from ever suffering? Well, then don't have a child. No one is born into the world never to suffer.
It's exciting to share an art form that I would never have imagined sharing with the deaf community. Doing musicals, it's not like, 'Oh, I'll do a musical with a deaf person.'
I started to realize that there are a lot of people who are unaware of deaf culture, and I've been given a great platform to reframe the deaf community.
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