A Quote by Andrew Sullivan
The one thing we know about torture is that it was never designed in the first place to get at the actual truth of anything; it was designed in the darkest days of human history to produce false confessions in order to annihilate political and religious dissidents. And that is how it always works: it gets confessions regardless of their accuracy.
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There are, I believe, many more false confessions to murders than true confessions.
My confessions are shameless. I confess, but do not repent. The fact is, my confessions are prompted, not by ethical motives, butintellectual. The confessions are to me the interesting records of a self-investigator.
People plead guilty or admit to crimes they didn't commit for various reasons. Certain interrogation procedures produce high rates of false confessions.
Imbued with the desire to secure for the German people the great religious, moral, and cultural values rooted in the two Christian Confessions, we have abolished the political organizations but strengthened the religious institutions.
A man must first of all understand certain things. He has thousands of false ideas and false conceptions, chiefly about himself, and he must get rid of some of them before beginning to acquire anything new. Otherwise the new will be built on a wrong foundation and the result will be worse than before. To speak the truth is the most difficult thing in the world; one must study a great deal and for a long time in order to speak the truth. The wish alone is not enough. To speak the truth one must know what the truth is and what a lie is, and first of all in oneself. And this nobody wants to know.
Political folk talk a lot these days about 'messaging' - a neologism designed to describe the way in which parties and politicians consciously characterize their efforts. It is only intended to be positive - i.e., 'Our messaging is designed to show we care.'
God's Word teaches a very hard, disturbing truth. Those who neglect the poor and the oppressed are really not God's people at all—no matter how frequently they practice their religious rituals nor how orthodox are their creeds and confessions.
The only thing I don't divulge is the truth about Mother killing little Carolina. I don't know why. Perhaps I sense he's not ready to know that just yet. Maybe he never will. People can live with only so much honesty. And sometimes, people can suprise you. I talk to my brother as I never have before, trusting in him, letting the river listen to my confessions on its path toward the sea. ~pg 693
squats are a form of torture designed by people who don’t need to do squats in the first place
You know it's my job to visualize, what is literal or audible, so I designed all the characters, and I designed what they do and how they should do it and so on.
To be fair to the Inquisition, they only used confessions extracted after the torture had ended, which let them claim that admissions had been freely given; the fact that the torture would have started again if they hadn't confessed was a minor detail.
World is not designed for you to win; it's designed to be played. It's designed for you to play your position until a certain point, when you get a chance to actually do some good, make a statement, get on your soapbox and say something.
The gospel is never about everybody else; it is always about you, about me. The gospel is never truth in general; it's always a truth in specific. The gospel is never a commentary on ideas or cultures or conditions; it's always about actual persons, actual pains, actual troubles, actual sin; you, me; who you are and what you've done; who I am and what I've done.
I've always had a teenage thread running through my music. On my first album, I had a song called 'Confessions of a Teenage Girl.' It's about using your feminine wealth to get what you want.
In college, in the early 1950s, I began to learn a little about how science works, the secrets of its great success, how rigorous the standards of evidence must be if we are really to know something is true, how many false starts and dead ends have plagued human thinking, how our biases can colour our interpretation of evidence, and how often belief systems widely held and supported by the political, religious and academic hierarchies turn out to be not just slightly in error, but grotesquely wrong.
I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
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