A Quote by Andrew VanWyngarden

I don't think it's necessary to worry too much about being authentic. I think a picture taken on an iPhone and then filtered through something to make it look like it was taken on a Super 8 camera can be just as authentic as something taken on a Super 8 camera, if it's capturing something real or beautiful.
I think the culture of the red carpet is too much like a modern-day coliseum. If you're being photographed all the time, and you don't like having a bad photograph taken, and if you're super, super thin, chances are you're never going to look fat in a picture.
I feel a particular sense of responsibility when you're taking something from the magazine directly and putting it in video. You can't be too flat. You need to have personality. You can't just scream out to the viewer. You need to have a fresh take on something or have a new look or have an interesting style, or be so raw that it resonates and is authentic. I think authentic is a good word. It's overused, I know, but I think it comes across in the video medium. If you can make a video authentic, it comes across.
A picture is what it is and I've never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn't make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they're right there, whatever they are.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
I'm pretty used to people not liking having their picture taken. I mean, if you do like to have your picture taken, I worry about you.
It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie.
There have been times when I've written something and it goes out and it comes back in a letter from some kid as to what they think about it and I've taken their analysis to heart so much that I have taken up his thing. Writing what my audience is telling me to write.
I was intent on doing something productive and on being everything my parents taught me to be. Their values were clear: do good work; don't ever get too big for your breeches; always be an authentic person; don't worry too much about being famous and rich because that doesn't amount to too much.
People ought to be going over this, finding things they don't like. Congress has clearly proved they can act in a hurry. If there's something wrong with it, it can be amended. If something needs to be kicked in, it can be put in. If something needs to be taken out, it can be taken out.
I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.
I now LOVE archery, I find it a very therapeutic sport. I would be taken away for a couple of hours before we started filming to get back into the rhythm so that it was a fluid movement of picking up the bow and then the arrows and just being able to make it look as authentic as possible.
The really great brands live on this idea of bringing something that's truly authentic - and then building around that. It's not about trying to be something as much as it being who you are in the best light possible.
Put the hero back in the super hero movies, because I think 'super' might have taken over.
With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.
To be honest, I don't know... something about the camera like turns me into such a diva. Like when it's on and I see my face in the camera, I'm just like, oh girl you look so good!
I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
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