A Quote by Andrew W.K.
I think all of our concerts, really, as parties. It's a performance for sure. It's not a recital. It's a celebration of that music.
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When recordings replaced concerts as the dominant mode of hearing music, our conception of the nature of performance and of music itself was altered.
I loved radio for the music, concerts, parties and to think you could get paid for it.
It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church... you should read the Scriptures.
I think that there is such power with the live performance of it - so much of what 'Motown' is about is the live performance aspect, really. The power of our production is really the music and the performances.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
There's definitely a melancholic ingredient in our concerts in the United States versus in other places. Many times people feel far away from their place of origin, from their traditions, from their people. And in a way, Café Tacvba's music brings them memories. It seems to connect them with all that they miss, because the concerts are very emotive and have lots of energy. We're very fortunate to have our music connect in that way.
I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.
Celebration is without any cause. Celebration is simply because we are. We are made out of the stuff called celebration.That's our natural state - to celebrate - as natural as it is for the trees to bloom, for birds to sing, for rivers to flow to the ocean. Celebration is a natural state.
For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?
As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.
People tend to see modernism as the opposite of a celebration. They see it as a fracturing and an art built round an absence, but it's really a celebration of our existence.
My mother always took my brothers and me to music lessons. There were six children. Our parents attended our concerts and encouraged us to study and enjoy many different types of music.
I think it's highly likely that we'll continue to have high-performance graphics capability in living rooms. I'm not sure we're all going to put down our game controllers and pick up touch screens - which is a reasonable view, I'm just not sure I buy into it.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
In fact, entertainment has taken the place of celebration in the present world. But entertainment is quite different from celebration; entertainment and celebration are never the same. In celebration you are a participant; in entertainment you are only a spectator. In entertainment you watch others playing for you. So while celebration is active, entertainment is passive. In celebration you dance, while in entertainment you watch someone dancing, for which you pay him.
I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.
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