A Quote by Andrew W.K.
I always wanted to be cheered up. I felt like that feeling of the first day of summer or when a girl would agree to go on a date or you found a $20 bill - that undeniable rush of excitement - I wanted to make a soundtrack of music for that kind of moment.
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I feel like, at the end of the day, I always would try to make music that I wanted to listen to: stuff that I liked and wanted to hear.
That was the moment I wanted to use bitcoin: when I saw Harriet Tubman on a $20 bill. It's like, when you see all the slave movies, it's like, why you gotta keep reminding us about slavery? Why don't you put Michael Jordan on a $20 bill?
In my training in the summer, back in the day, I used just go, go, go! I wouldn't take any days off, I would do whatever I wanted, as much as I wanted of it.
I wanted to lift the aspects of the lyrics and imagery that I found sincerely powerful and touching, plus the amazing musical extremities, and make my own thing. That's what making music has always been for me. Synthesizing a nonexistent kind of music that I wish existed because I wanted to listen to it.
I wasn't brought up as a society girl to go to balls and be a debutante and marry the social set and money and go to parties. No one in my family lived like that. And I never wanted to live like that. I was brought up to believe in work. I always wanted a career. Always.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
It's the first time I have returned to my roots - like going back to be a trio. The fans really wanted me to go back on stage and do the Supremes music, so I went about trying to make it happen. We'll go on tour in the summer.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
People would always ask me how I came up with my music and what it felt like to make music, and I would always see colours, and then I found out that that was synaesthesia. It helps me understand songs and what I like.
I think I'm a natural appreciator of comedy. I was definitely not the girl in junior high that all the guys wanted to date. They wanted to date my friends - which was great, because I had to be funny.
A lot of my fans wanted a kind of 'in your face' song. They wanted a song that exemplifies me overcoming the situation I was in and just that triumphant kind of song. So, I felt like I wanted to go ahead and get that out of both of our systems with 'Good Woman'.
I never wanted to be that fad type of artist. When I looked up to artists, watching TV, I wanted to see somebody. I wanted to touch that person. I wanted to sound like them. I wanted to move like them. That' s what I want my fans to do. So that's why, everything that I do, the music I make, how I dress, it's all based off my lifestyle.
I always wanted to be a musician, 100 percent, my whole life. I went to school, I did music theory, I did voice training and piano lessons, and while I was a decent musician, it didn't seem like enough for me. I felt like I wanted to make more than just music.
Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.
It was a lovely feeling, dying. I can remember being in the hospital, all wired up to tubes and thinking, 'If only you'd take these tubes out, it feels so nice.' It felt so - it felt like being in a bath of velvet. It was such a nice feeling. Everything felt so soft and floppy, and I wanted to go.
Other than the 'Sesame Street' soundtrack, which I was obsessed with, the first artist I really felt I'd discovered on my own was Amy Winehouse. She was the first female artist I wanted to write like and sing like and be like.
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