A Quote by Andrew W.K.
What I learned about music is that it can have nothing to do with words, instrumentation, image, message, or meaning. The meaning is the melody, the notes, the rhythm - music for the sake of its own beauty, with nothing more required to express itself.
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Language can still be an adventure if we remember that words can make a kind of melody. In novels, news stories, memoirs and even to-the-point memos, music is as important as meaning. In fact, music can drive home the meaning of words.
Words when spoken out loud for the sake of performance are music. They have rhythm and pitch and timbre and volume. These are the properties of music and music has the ability to find us and move us and lift us up in ways that literal meaning can't.
Nothing can express the aim and meaning of our work better than the profound words of St. Augustine - 'Beauty is the splendor of Truth.'
Music, and art for that matter, to me is not about true meaning to anyone else but yourself. If I told you the meaning of it all from my point of view it would erase the intimacy of art. I feel like art is up for interpretation, so if I told you my meaning, how could you truly relate it to anything that “you” personally are going through?? That is the beauty of art and music in particular
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.
music is not technique and melody, but the meaning of life itself, infinitely sorrowful and unbearably beautiful.
I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant. Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life.
Meaning doesn't lie in things. Meaning lies in us. When we attach value to things that aren't love - the money, the car, the house, the prestige - we are loving things that can't love us back. We are searching for meaning in the meaningless. Money, of itself, means nothing. Material things, of themselves, mean nothing. It's not that they're bad. It's that they're nothing. ("A Return to Love")
Writing begins in the body, it is the music of the body, and even if the words have meaning, can sometimes have meaning, the music of the words is where the meanings begin....Writing as a lesser form of dance.
Music is completely not reality. There's nothing about music that has any meaning at all. A lot of people disagree with that, but it's basically true. You can listen to a piece of music, and fifteen people will give you fifteen answers of what it's about.
Definitely, and it's getting more spiritual. Pretty soon I believe people will have to rely on music to get some kind of peace of mind, or satisfaction, or direction, actually. More so than politics, the big ego scene. You know it's an art of words... Meaning nothing. Therefore you will have to get an earthier substance, like music or the arts.
Nothing is more odious than music without hidden meaning.
People have the idea that an image must stand for something else, that the real meaning needs to be described with language. Instead it is the image itself that is the meaning.
Wherever you find a sentence musically worded, of true rhythm and melody in the words, there is something deep and good in the meaning too.
But the soul of Africa, its integrity, the slow inexorable pulse of its life, is its own and of such singular rhythm that no outsider, unless steeped from childhood in its endless, even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.
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