A Quote by Andrew W.K.
I've always been into 1939 and the New York World's Fair. And I lived on 39th Street and on the 39th floor. Once you pick a number that means something to you, then you notice it everywhere.
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[Drawing] and making things was all we ever did. My brother and I built the entire New York World's Fair of 1939 in miniature out of wax. The floor of our room was covered with little waxen buildings. Nobody else could come in.
I'm proud to have served there for 12 months with Alpha Company of the 39th Infantry.
I will say, though, that San Francisco is a very friendly city. It's the kind of place where people smile at you and you can strike up conversations on the street, so there's always an adjustment when I come back to New York. If I smile at someone on the street in New York, then they think there's something up - like, "Why is she smiling?"
Coming home, we stopped for a bite to eat and ran into a confused waitress. Had a heart-rending time trying to speak the Words of Life to her, and as I think of all this country now, many just as confused, and more so, I realized that the 39th Street bus is as much a mission field as Africa ever was.
I was fired at the pinnacle of my career, on my 39th birthday. And in the year that followed, I learned that there are many psychological phases of being 'let go.'
I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.
I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.
I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
One of my books, 'Rain Falling on My Face,' earned me the 39th Edogawa Ranpo prize. It's a very prestigious literary prize in Japan, mostly for mysteries and thrillers.
I started performing music about the age of 16. I lived in Brooklyn, New York, and this thing called the Flatbush Fair comes once a year. That was my first time on stage.
If you've ever been to Harlem, there's always something playing on the street, and there's this energy that feels different to anywhere else in New York.
I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
There's always something new with sex. We lived in a world without Viagra, now we live in a world with Viagra. We lived in a world without blowjobs and anilingus in the Oval Office, and then it happens and you get to write about it. We live in a world where now the government is screwing with contraception and holding back vaccines that could save 4,000 women's lives a year, and you get to write about that. It's not as much fun as anilingus in the Oval Office, but what are you going to do? If you pay attention, there's always something new, and it's always really invigorating.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
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