A Quote by Andrew Wyeth
I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me.
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I don't really have studios. I wander around - around people's attics, out in fields, in cellars, anyplace I find that invites me.
Art opens the closets, airs out the cellars and attics. It brings healing.
I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.
That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.
I love Rome and the way that you can wander around and find something interesting around every street corner. You can smell the history.
People do not wander around and then find themselves at the top of Mount Everest.
Thus even as servers die or are put to sleep, even as operating systems come and go, I can carry the work forward-despite all of the progress around me. [...] But really, no complaints-it's fun to wander around in the middle of so much waste and progress, and I'd rather be here than anywhere. You just have to keep working out how to travel light and stay portable.
On Mallrats, a lot of times they'd have to come find me. I'd be off hanging around. Looking around the stores, hanging out with people. So, he'd have to come find me.
Sometimes you have to wander around until you find where you really belong. And sometimes it's right where you started.
Ambiguity is really important to me. Part of the difficulty facing photographers is that almost any subject matter has accumulated a representational history, so to find a new discursive space, a space to wander around those subject matters, is a real challenge.
I don't have to take a trip around the world or be on a yacht in the Mediterranean to have happiness. I can find it in the little things, like looking out into my backyard and seeing deer in the fields.
You learn more about a person from the people around that person than you do from the person themselves. We all have our own ideas of who we are that may or may not be justified, and you can really find out a heck of a lot more accurately from the people around an individual.
If I had my way, I wouldn't be sharing my personal life online. I'm a private person. At home, I don't wander around shirtless, flexing my muscles. I roam around unshaven, with my hair disheveled. Unfortunately, people perceive you differently. It's okay; they're free to speculate.
There's a lot of pressure to meet up with people. I haven't changed, but my friends find it difficult to be around me. It's quite a shame to see them grow apart from me. I've lost a lot of people around me.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
I don't really go out, 'go out' that much anymore. I live in Brooklyn, in Williamsburg, so I just like to wander around. Williamsburg's such a cool little neighborhood community spot.
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