A Quote by Andrew Wyeth
I have a good friend, Rudolf Serkin, the pianist, a very sensitive man. I was talking to him one day backstage after a concert and I told him that I thought he had played particularly sensitively that day. I said, "You know, many pianists are brilliant, they strike the keys so well, but somehow you are different." "Ah," he said, "I don't think you should ever strike a key. You should pull the keys with your fingers."
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I thought you said that after this many years nothing should embarrass him?" Leigh said with gentle amusement. Lucian grunted. "I guess he's more sensitive than I thought." "I am NOT sensitive," Cale snapped, irritated by the very suggestion. "It's probably his mother's fault," Lucian said, ignoring him. "Martine named him after Caliope, the muse of poetry. Between that and his father dying when he was only fifty, he's probably suffered under Martine's namby-pamby influence.
I had orders from the great Bill Russell. Me and him were talking in Seattle the other day, and he was telling me how rivalries should be. I asked him if he ever disliked anybody he played against, and he told me, 'No, never,' and he told me that I should shake Kobe Bryant's hand and let bygones be bygones and bury the hatchet.
Rick Rubin said, well, I don't know that we will sell records. He said, I would like you to go with me and sit in my living room with a guitar and two microphones and just sing to your heart's content everything you ever wanted to record. I said, that sounds good to me. So I did that. And day after day, three weeks, I sang for him.
I remember talking with a friend. He asked me a question. He said, 'What's your end game? What's your goal with this?' And I said to him, 'You know, I want to win the Academy Award one day.' And he said, 'OK'.
We should all die with a sharp, brusque heart attack. My father was lucky like that. One day he went hunting. He had a good day, he killed a lot of game, he was with his best friends. He said, "Ah, I'm still a good hunter." Then he said, "I don't feel well," and in 30 seconds it was all over.
I met Rajini sir after 'Jigarthanda,' and he said he liked my film. He told me I could approach him whenever I had a good idea. I had never thought he would listen to scripts from new directors. After the meeting, I wondered, 'Should I take his words seriously or not? Should I write something?'
Reuven listen to me. The Talmud says that a person should do two things for himself. One is to acquire a teacher. Do you remember the other." "Choose a friend," I said. "Yes. You know what a friend is, Reuven? A Greek philosopher said that two people who are true friends are like two bodies with one soul." I nodded. "Reuven, if you can, make Danny Saunders your friend." "I like him a lot, abba." "No. Listen to me. I am not talking about only liking him. I am telling you to make him your friend and to let him make you his friend.
I was watching cartoons on television and a commercial came on for one of the Batman series where I played a butler. And then my grandson looked up at me and he said, "Do you know Batman?" I said, "Yes." He said, "Really," I said, "Yeah." I said I know him very well. And he told all the boys at school, he said, "My grandpa knows Batman. Does your grandpa know Batman? OK, no. Mine does.
I had to learn right away how to improvise behind Ornette, which not only meant following him from one key to another and recognizing the different keys, but modulating in a way that the keys flowed in and out of each other, and the new harmonies sounded right.
The gas man came one day, and he said, 'What does your husband do?' so I told him, and he said, 'What's the use of that?' He had a point, but on the other hand, I firmly believed in Stephen and his brilliance. I encouraged him to popularise his science just because the gas man had been so insulting.
There were various different keys in which European history had tended to be written. One is the lyrical key, the idea that somehow, in Bretton-Woods in 1945, a bunch of well-intentioned men got together and said, "This can't go on; let's build a European Union." And it just wasn't like that.
I didn't have a chance to buy you anything," she said, then held both closed hands toward him. Uncurled her fingers. In each cupped palm a brown egg. He took them. They were cold. He thought it a tender, wonderful thing to do. She had given him something, the eggs, after all, only a symbol, but they had come from her hands as a gift. To him. It didn't matter that he'd bought them himself at the supermarket the day before. He imagined she understood him, that she had to love him to know that it was the outstreched hands, the giving, that mattered.
Caterpillar was quite important because that was the first manufacturing industry that used Reaganite strike-breaking techniques. They illegally called in scabs to break a major strike. It was reported pretty well in the Chicago Tribune, who pointed out something very interesting. They said that the workers got very little support in Peoria when scabs illegally broke the strike, and that was particularly striking because that whole community had been built up by the union - it was a union-based community.
I read one psychologist's theory that said, "Never strike a child in your anger." When could I strike him? When he is kissing me on my birthday? When he's recuperating from measles? Do I slap the Bible out of his hand on Sunday?
One day I locked my keys in my car and as I was standing there with a hanger halfway through the top of my window, a guy walks up and says, Lock yer keys in the car? Without missin' a beat I said, Nope, Just washed it and was hanging it up to dry. Here's your sign.
You can't judge a man by watching him live. . . . I personally watched Babe Ruth at bat three times, and he struck out every time. But at the very time that I was watching him strike out, the record said that he was the greatest home-run king who ever lived.
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