A Quote by Andrew Wyeth

God, I've frozen my ass off painting snow scenes! — © Andrew Wyeth
God, I've frozen my ass off painting snow scenes!
It'll work, if God, wind, leads, ice, snow, and all the hells of this damned frozen land are willing.
Now it would be foolish and impossible to try and prevent the manufacture of films containing Canadian snow scenes; but there is no vestige of a doubt that when exhibited overseas they have a detrimental effect of immigration . . . Everything that can be done should be done, to encourage the circulation of screen pictures that demonstrate that snow scenes and dog-trains are but a minor phase in Canadian life.
Flea-Market vendors are frozen mid-haggle. Middle-aged women are frozen in the middle of their lives. The gavels of frozen judges are frozen between guilt and innocence. On the ground are the crystals of the frozen first breaths of babies, and those of the last gasps of the dying.
Snow reminds Ka of God! But I’m not sure it would be accurate. What brings me close to God is the silence of snow.
Fear is a wet blanket that smothers the fiery passion God deposited in your heart when he formed you. Fear freezes us into inaction. Frozen ideas, frozen souls, frozen bodies can't move, can't dream, can't risk, can't love, and can't live. Fear chains us.
In the spring or warmer weather when the snow thaws in the woods the tracks of winter reappear on slender pedestals and the snow reveals in palimpsest old buried wanderings, struggles, scenes of death. Tales of winter brought to light again like time turned back upon itself.
Minnesotans who bought scenic art usually avoided winter scenes. Hannah didn't find that surprising. Minnesota winters were long. Why would they want to buy a painting that would constantly remind them of the bone-chilling cold, the heavy snow that had to be shoveled, and the necessity of dressing up in survival gear to do nothing more than take out the garbage?
Painting is the frozen evidence of a performance.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
I played on frozen pitches, on snow. I had only a couple of years indoor before I went to England.
I mean, even in these snow pants,check out my ass.
I grew up in the South Side, and when we would have snow and blizzards and drifts, we would jump off the garage roof into the snow. Now if I'm up on a step ladder and I think I'm going to fall, it's a foot and a half off the ground, but I'm panicked about it. So I'm afraid of ladders and those beds.
In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, Snow on snow, Snow on snow, In the bleak midwinter, Long ago.
The snow is falling on the deserted field of my life, and my hopes, which roam far, are afraid of becoming frozen or lost.
Raindrops blossom brilliantly in the rainbow, and change to flowers in the sod, but snow comes in full flower direct from the dark, frozen sky.
I don't know but a book in a man's brain is better off than a book bound in calf--at any rate it is safer from criticism. And taking a book off the brain, is akin to the ticklish & dangerous business of taking an old painting off a panel--you have to scrape off the whole brain in order to get at it with due safety--& even then, the painting may not be worth the trouble.
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