A Quote by Andrew Young

I tried. But not everybody thought so. — © Andrew Young
I tried. But not everybody thought so.
I think the thing with fame is that everybody claims they all want your best. They all know what's good for you and you end up ragged, empty and tired. I did. I felt so empty. Everybody tried to grab a piece of me and everybody tried to push me into a corner.
Everybody thought that Hillary Clinton was gonna win. That's the problem. Everybody thought, nobody was paying attention.
The challenge is how strange and different my voice sounds, so I have tried to sound like other people and tried to be something I wasn't. I have tried to be a soul singer because someone else thought that a good idea. Not because I did.
Having been trained as a computer scientist in the '90s, everybody knew that AI didn't work. People tried it. They tried neural nets, and none of it worked.
I watch everybody and tried to take bits and pieces from everybody.
I've tried to be a better person... I've tried, and tried and tried! You know how hard I've tried! Tell me how I've tried..." "Nice try... Five cents, please!
I tried to work with a record label; I tried to work with a booking agency, variety shows. I went to Vegas. I just tried everything I could think of, and nothing took. No one thought there was a place for my style and my music; it was just too different.
Everybody has their own appreciation of the Beach Boys, depending on where they're coming from with their musical tastes, so we tried to be representative of all eras and of everybody in the band and their contributions.
When I began as a model, everybody tried to remold me: I was too fat, too little, they tried to re-shape my teeth - I am very proud that I have stayed as I was.
After Blood Simple, everybody thought I was from Texas. After Mississippi Burning, everybody thought I was from Mississippi and uneducated. After Fargo, everybody's going to think I'm from Minnesota, pregnant, and have blonde hair. I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.
I tried to write poems in rhyme. I tried writing songs. Sometimes I jotted down a thought. I would keep a log of spontaneous thoughts.
The 'Downward Spiral' album was a record all about beating everybody up - and then 'Hurt' was like a coda saying maybe I shouldn't have done that. But to make the song sound impenetrable because I thought it was a little too vulnerable, I tried to layer it in noise.
They tried to get me to use a pick when I first joined the band. They had certain things they thought were appropriate. I tried to adapt as much as I could.
I had very good LSD, but the problem was - I tried making a film, or doing some filming, when I was on LSD, and it's impossible. I couldn't focus. I tried focusing, but when I looked through the lens, I'd see all different layers of focus, and I couldn't find which was the real one behind the camera. And I just thought, this does not work, and I never tried that again.
I loved 'Everybody Loves Raymond' because I like Ray and I thought it was beautifully cast, I thought it was great writing. I thought Patricia Heaton was wonderful.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
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