A Quote by Andris Nelsons
I'm sure the atmosphere at Tanglewood and the space there and nature - I think it absolutely fits Wagner's music.
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Ambient means the natural center or atmosphere of a space. All music has that in it- a space or center. I think it just means the atmosphere or what defines the environment of sound and maybe removing the more destructive, harsh elements and harder rhythmic elements and you get down to the stillness that's inherent. There's an ambient quality in every sound. You may have to enhance that to hear it or bring it out in a different way but there is that in every environmental sound.
I would love to go to space, take a view of the Earth, see the stars without the mask or the atmosphere. I think that would be an absolutely amazing experience.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
Wagner's philosophy had absolutely nothing to do with Bruckner. Bruckner hadn't written a single word against Jews. Wagner's book on the Jews was one of the most infamous books of the 19th century.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
I simply love Wagner's music. That actually started very early. He was the first composer I was exposed very much to because my parents introduced me to Wagner's music very early.
Wagner exploited all forms of expression at a composer's disposal - harmony, dynamics, orchestration - to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves.
Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.
I think that Sufism fits all over the world. The concept is not anything that fits standard Western ideas - it's always related to culture, to music, to religion. It is a dominant religion in Senegal.
Wagner always opens you a second breath, and then you go on, and you are absolutely into his musical world, and you can't stop, and you can listen for four hours, five hours, six hours, and then you are like in his mystical hands of his music. He's such a great poet of music.
I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone.
After decades of faithful study, ecologists have begun to fathom hidden likenesses among many interwoven systems. ...a canon of nature's laws, strategies, and principles...
Nature runs on sunlight.
Nature uses only the energy it needs.
Nature fits form to function.
Nature recycles everything.
Nature rewards cooperation.
Nature banks on diversity.
Nature demands local expertise.
Nature curbs excesses from within.
Nature taps the power of limits.
They see me all the time at Bayreuth and think I only like Wagner's music, and it's not true.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
I do think it's important not to be absolutely sure, so sure that you can't reinvent yourself in some way, or at least rediscover the truth of why you think what you think, and not just take it as an assumption.
In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.
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