A Quote by Andris Nelsons
As a trumpet player, I was playing Xenakis, Lindberg: very challenging, technical, atonal, and I enjoyed it.
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Ornette Coleman wasn't sure whether he was going to continue with Charlie Haden-Charlie had some personal problems. I said "You've got to be kidding! There's no one on the globe who will be able to accompany you" and no one ever did. [Scott LaFaro] was playing atonally and certainly Ornette was not an atonal player. Jimmy Garrison was a tonal player. He wasn't even polytonal or atonal.
I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
Samir Nasri is a very technical player who always made the difference playing as a midfielder when he is fit.
I'm first and foremost a guitar player. I've been playing since I was 12, which is over half of my life. I like the physicality of it; you can strangle it or make it sing. I wouldn't say I'm a very technical player, though. I'm more intuitive - it's always more about chasing an abstraction.
Messi is the more technical player of the two. He's better inside the area, the way he handles the ball and dribbles. You can see that he enjoys himself playing. Cristiano has a better body and is physically very strong. He has pace, speed and is a player with courage, and he can use both feet.
So I had a couple of years of playing trumpet. I really enjoyed it, but it was not the kind of instrument you could whip out at a party. Let's face it.
I played trumpet in middle school, and then I had to get braces, so I had to stop playing trumpet and start playing drums.
Jorginho is not a physical player, he is a technical player, but the most important quality is that he is very quick in the mind. He has the ability to move the ball very quickIy.
To play the trumpet, you must train your lips for a long time. When I was twelve or thirteen I was a good player, but I lost the skill and now I play very badly. I do it every day even so. The reason is that I want to return to my childhood. For me, the trumpet is evidence of the sort of young man I was.
I'm a very technical player, a striker who moves around the field a lot. I'm technical, I score lots of goals, and I like to score as many goals as possible. They are my best qualities. I also header the ball very well.
There's nothing worse than bad scatting, except maybe bad mouth trumpet. Mouth trumpet may sound like a trumpet, but it's really more like playing a kazoo. The instant you do your solo, the audience has a bit of a chuckle.
My older brother Mike is an excellent trumpet player. By the time he was 12, he was playing around Kansas City in classical situations. He was already an amazing talent.
I have a singer, she's called Lara Caprotti. And then I have Stefano Serafini playing trumpet. The trumpet sounds amazing live in a club.
In my opinion, Louis Armstrong is the greatest trumpet stylist of all time and has influenced every trumpet player of his time and long after
I hate the natural sound of the trumpet, but I think I'm naturally set up to be a trumpet player. I know that sounds weird. But pretty much anytime I play a note, I'm uncomfortable in a general sense.
I like playing tennis. I've always enjoyed the process of being a tennis player; I'm just not sure that I enjoyed the travel at the end, and my body didn't recover from the day-to-day grind.
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