A Quote by Andris Nelsons

I think first thing and the most important thing, for me, is that Boston becomes my musical home, my musical family. — © Andris Nelsons
I think first thing and the most important thing, for me, is that Boston becomes my musical home, my musical family.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
For me, family has always been more important than football. The most important thing for me is that my parents and my brother are fine. That is the first thing on my mind when I wake up every day.
I never imagined that Hamilton would be turned into a musical, much less a hip-hop musical. I think I can safely say that that's the last thing I would have expected.
Looking back, I think I was always musical. My dad was very musical, and I think my mom was musical.
One of the major aspects of film composing is that it's not so much a musical thing as it is communicating your ideas with the director, who often does not come from a musical background.
My professional success is really important to me, and my career is really important to me. It's the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that's really important to me too.
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.
I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.
I was constantly, always and forever, trying to perform the musical 'Annie' for anyone who would listen, and I have a terrible singing voice. It was the first thing that made me think I wanted to be an actress.
Ireland, Italy and Brazil are the most musical places for me. They're extremely musical cultures and anything you pitch they basically catch.
We were a musical family, and we had record players. It would be a family thing to listen to music together.
The main thing a poem ought to be is musical. It should be rhythmic. You should hear it as a musical piece in your head as you're writing it.
A dream role is a role that you can't even picture for yourself. Everything I've ever played I never pictured I would get a chance to play. It [has] gone beyond my wildest dreams. One thing I would love to do in my lifetime is a movie musical. I've wanted to do that since I was a kid. That's what made me interested in acting in the first place. I would do any type of musical, but I love the Harlem Renaissance era. I think a dream role in something that I probably can't see and I don't know when it's going to come.
I think I was first awakened to musical exploration by Dizzy Gillespie and Bird. It was through their work that I began to learn about musical structures and the more theoretical aspects of music.
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