The music of Bach is so timeless, so fulfilling. You don't feel like you have to be in front of it. The music has everything, and you are there to find the balance when you conduct. You don't have to give too much of your individuality. It's Bach, so it's dangerous to get in the way.
Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
Once I understood Bach's music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.
I think J. S. Bach's music stands among humankind's greatest accomplishments. For me, Bach's music is not only as good as music gets but also as good as it gets, period - as good as existence, reality, life, and the world.
I think J.S. Bach's music stands among humankind's greatest accomplishments. For me, Bach's music is not only as good as music gets, but also as good as it gets, period -- as good as existence, reality, life and the world.
If all the music written since Bach's time should be lost, it could be reconstructed on the foundation which Bach laid.
If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all.
Bach's music is really some of the greatest. I think, in some ways, Bach is the most profound composer of all.
I played a lot of Bach's partitas and sonatas; I like the way that Bach was abstracting already from these dance forms.
There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.
Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.
One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.
I think that Bach has a very nice sound on the lute. But I find that what I want to do with Bach is best revealed on the guitar.
I come from a family in which music was important, especially German music - from I come from a family in which music was important, especially German music - from Johann Sebastian Bach to Ludwig van Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations. to Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations.
The miracle of Bach has not appeared in any other art. To strip human nature until its divine attributes are made clear, to inform ordinary activities with spiritual fervour, to give wings of eternity to that which is most ephemeral; to make divine things human and human things divine; such is Bach, the greatest and purest moment in music of all time.
The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.