A Quote by Andris Nelsons
It might be expensive to make music lessons available. But it's even more costly to deal with human beings who have half their intellect and spirit left undeveloped.
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It is so hard for us little human beings to accept this deal that we get. It's really crazy, isn't it? We get to live, then we have to die. ... What spirit human beings have! It is a pretty cheesy deal - all the pleasures of life, and then death.
Why should we desire the destruction of human passions? Take passions from human beings and what is left? The great object should be not to destroy passions, but to make them obedient to the intellect. To indulge passion to the utmost is one form of intemperance - to destroy passion is another. The reasonable gratification of passion under the domination of the intellect is true wisdom and perfect virtue.
Writing books is one of the ways that human beings deal with loss, especially when you don't have religious consolation available.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.
From a leader's perspective, the most serious betrayal has to do with thwarting human potential, with quenching the spirit, with failing to deal equitably with each other as human beings.
I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons.
I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons
Everything we know has its origin in questions. Questions, we might say, are the principal intellectual instruments available to human beings. Then how is it possible that no more than one in one hundred students has ever been exposed to an extended and systematic study of the art and science of question-asking? How come Alan Bloom did not mention this, or E. D. Hirsh, Jr., or so many others who have written books on how to improve our schools? Did they simply fail to notice that the principal intellectual instrument available to human beings is not examined in school?
Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bangkok might seem like it's expensive, you're flying over and back, but they're just not that expensive to make when you do it the way we do it which is very focused and I've done it before.
Collaboration to me is... my favorite collaboration in the theatre is the collaboration between the actors and the audience because it's just that thing that happens when the only thing left that is left on the human scale is that human beings come to look at other human beings act out stories.
I understand that artists and critics make a big deal over the Grammys. But when I go to my shows and I'm selling out arenas in London, and when I'm in Australia and Japan, there aren't any Grammys there. There are human beings who I've touched. There are human beings who are inspired by me, who I love dearly. And that's what my career is based on.
Everything we know has its origins in questions. Questions, we might say, are the principal intellectual instruments available to human beings.
I don't believe there are any powers, which in the larger sense, are unnatural or even supernatural. I think we just do not yet scientifically understand all of the powers inherent in the human consciousness, and the more attuned we are to the realm of spirit, the more our conscious mind is available to subconscious, spiritual prompting.
A composer knows that music is written by human beings for human beings and that music is a continuation of life, not something separated from it.
The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.
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