A Quote by Andy Barrie

My favourite piece of architecture is the Royal Conservatory of Music on Bloor (273 Bloor Street West). When they cleaned up the old building a few years back, the stonework just knocked me out. It is a great melding of the Old Toronto and the new.
I have this memory of being 15 years old, sitting with a friend on the steps of a little bookstore on Bloor Street in Toronto and saying, 'I'll never take money for my writing!' I had such idealism about this idea of trading your soul for money.
François Mitterrand was a student of architecture, he had done a lot of research before he called me. He said, "You did something special at the National Gallery of Art in Washington - you brought the new and the old together." But John Russell Pope finished the West Building in 1941, so when the East Building opened it was only about 40 years old. But the Louvre is 800 years old! A much bigger design challenge.
A lot of the buildings [in Toronto] around Yonge and Bloor is the architectural equivalent of Kipper Ties and 8" collar points. It's ghastly and no amount of street-level retail glitz can lift it.
The beauty of Broadway is that if I'm 60 or 70 years old, if they'll accept me back, I can go back. So I think for right now I'm going to focus on the music--it's the new baby--and see how it's going to work out, and then maybe in a few years maybe I'll go back.
Toronto is a special city, and the environment is perfect for the arts; free and alive. I'm a New Yorker, and Toronto reminds me of a much cleaner New York, so it's like coming home after your mom just cleaned your room for you; for me that's a lovely environment.
I found a treehouse. I found this weird tree, out in a field, and someone had put a piece of a fence, way up in a tree. I just went up there and went to sleep for a few hours, in full cowboy regalia. And someone did take a photo. I have a photo of it, somewhere. It brought me back to when I was 12 years old, sitting in a treehouse and imagining that I was in a Western somewhere.
At nine years old, I was presented an opportunity to move to Toronto to train for pairs dancing. As soon as I heard that that's what it entailed, I was out of there. It's like a past life. I hung up my skates and never looked back.
I feel like somebody just punched me in the stomach and knocked all my wind out. I'm only 30 years old and I want to have a chance to continue creating things. I know I've got at least one more great computer in me. And Apple is not going to give me a chance to do that.
I find personally that when I go to a place where I can't get in, I feel hostility from whatever it is, a hotel, a shop, a market, a street corner where there are no curb cuts, because somebody forgot to put them in, and where I have to go two blocks to the corner to do it. A lot of the excuses are, "Well, this is an old building." That's my favorite one. "This is an old building." It's as though 50 years ago, people with disabilities did not exist. As if the disabled are a new problem. It has always been a problem.
I still come out to music that's in Spanish. There's no denying who I am, but I've just made it to where my performance is so anybody can understand it - whether you're 10 years old or 80 years old.
I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.
All who have read a few old books have picked up the old tactics of considering every new idea a 'heresy' which must be rooted out.
I'm not really into alternative country - I'm into Patsy Cline, who lived down the street from where I lived, and old Dolly Parton records, Kitty Wells and that old stuff. I like country music. I also like Eric Church, who has a great new sound but also holds onto that old sound.
At certain periods of life, we live years of emotion in a few weeks, and look back on those times as on great gaps between the old life and the new.
Go back and watch my old footage, man. Go back and watch my old fights. I knocked people out at 170 pounds.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
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