A Quote by Andy Behrman
I counterfeited Mark Kostabi's artworks. During the eighties, Mark didn't paint his own paintings. Instead, he had other artists painting them, and he just added his signature. So what I did was to use some of the same painters, and signed his name myself.
Related Quotes
A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.
Realizing that other people have a problem with [homosexuality] was the weirdest thing for me. As a kid it wasn't even something that was mentioned. It was never something that was even explained to me. It was just, "That's Mark and he's gay." Mark was just another friend of my dad's who would talk about his boyfriend instead of his girlfriend. I was 5. I didn't care. It seemed perfectly normal, and still does.
The mark of an educated man is not in his boast that he has built his mountain of facts and has stood on top of it, but in his admission that there may be other peaks in the same range with men on top of them, and that, though their views of the landscape may be different from his, they are none the less legitimate.
Obedience is a virtue of so excellent a nature, that Our Lord was pleased to mark its observance upon the whole course of His life; thus He often says, He did not come to do His Own will, but that of His Heavenly Father.
Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty...the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart; and it is always, therefore, the signal of secret and violent humanity, the mark of cruelty.
A lot of young painters love to incorporate celebrity. One idea of being a painter is to use what's happening at the time. Velázquez was painting of his time. And so was Rembrandt. And Francis Bacon was painting his time in London. He was a real mover, but he saw the insect in the rose. But yes, when I do a painting, I want to take the "I did this" out of it. That's why I started using chance, like the markings on the wood. I never wanted to compose.
Don't you ever touch my car again," Santangelo says with the same fury he had on his face when Jonah Griggs made comments about his mother. Raffy touches the car with her finger in a very dramatic way. "You've just made our hit list," he says, getting a hanky out of his pocket and cleaning off some imaginary mark.
Not the shadow of a doubt crossed my mind of the purpose for which the Count had left the theatre. His escape from us, that evening, was beyond all question the preliminary only to his escape from London. The mark of the Brotherhood was on his arm-I felt as certain of it as if he had shown me the brand; and the betrayal of the Brotherhood was on his conscience-I had seen it in his recognition of Pesca.
I believe it is the conviction of the purest men, that the net amount of man and man does not much vary. Each is incomparably superior to his companion in some faculty. His want of skill in other directions, has added to his fitness for his own work.
Strange story about Degas. He hated women, didn't want to be with them. Yet he spent much of his life painting them. He had seen his father maltreat his mother, must have had a deep fear that he'd do the same thing.
Picasso could use everyone's paintings and transform them into his own. He was using ideas from all of his contemporaries.
Each Warrior wants to leave the mark of his will, his signature, on important acts he touches. This is not the voice of ego but of the human spirit, rising up and declaring that it has something to contribute to the solution of the hardest problems, no matter how vexing!
Charles was very intent to use his years as Prince of Wales to make his mark while he still had freedom of maneuver that he wouldn't have as King. The first subject he really went for was architecture. It made an impact.
There are times when I love to play all kinds of complicated games in painting. But this is one case when I need to be fairly straightforward. I'll just try to paint the man, his intelligence, his amiability and his stature, maybe paint him fairly close to humor and try to get it just right.
I hope that my painting has the impact of giving someone, as it did me, the feeling of his own totality, of his own separateness, of his own individuality.
Never did he once consider directing his hatred toward the hunters. Such an emotion would have destroyed him ... His subconscious knew what his min did not guess-that hating them would have consumed him, burned him up like a piece of soft coal, leaving only flakes of ash and a question mark of smoke.
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