A Quote by Andy Biersack

How do we make a record that's true to the vibe of the band but still maintain the pace of moving forward and doing something fresh? — © Andy Biersack
How do we make a record that's true to the vibe of the band but still maintain the pace of moving forward and doing something fresh?
I dream of doing something where people are like: 'That's different, but it's still something I can relate to,' because that's the way of moving forward.
'Far Beyond Driven' was a record that was probably ahead of its time, and to this day, it still sounds as fresh as just about any other band that's out there. It was a record that was pushed to another level.
I remember doing a lot of comedy. I always loved that feeling when you do something on stage and you can feel the vibe of the audience turn, and they start laughing. It's how you know something's not right, and how to fix it, or how to make the moment stronger or funnier.
My vibe was to just move forward at a really cool pace.
I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.
I've got a great support group, real and true friends and I'm moving forward with my life. I was sad and wanted to make things work but I'm completely fine now. I'm moving on.
When I think of the future, I think a lot of Quincy Jones and how he is an inspiration. Look at the quality of his work over so many years. He didn't even make his best record, 'Thriller,' until he was 50. That gives me something to look forward to. Nothing pulls you back into the studio more than the belief that your best record is still ahead.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
That happens a lot when people become parents, too. There's just so much at stake suddenly, and you're also witness to the total miracle of birth, and stuff like that. So I started reading tons of religious texts and checking everything out. One of the things I wanted to make sure of on the record is that it still has a "searching" vibe rather than an authoritative vibe.
I wanted to make a reggaeton record. So I sent the record to Ozuna, and he killed it. Then I felt like I wanted to add a more female vibe but still keep some Spanish touch, so I asked Selena and Cardi, and it all came together.
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done!
I've added to my abilities since moving to Bournemouth. You are always having to re-learn how to be a centre-forward as the game is moving forward.
When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.
You'll see that excuses like "That's not easy" are of no value and that it pays to "push through it" at a pace you can handle. Like getting physically fit, the most important thing is that you keep moving forward at whatever pace you choose, recognizing the consequences of your actions.
Keeping fans loyal is a delicate balance. Therein lies the challenge for any band that's more than a couple albums deep. It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.
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