A Quote by Andy Biersack

More than anything, I write about what I know. The experiences that I've had in my life and that we've all had collectively, that's what we draw from. — © Andy Biersack
More than anything, I write about what I know. The experiences that I've had in my life and that we've all had collectively, that's what we draw from.
To be honest, I’m more concerned with living my life than writing about my life. I feel like that’s really the main thing I know now that I didn’t know when I was younger — and that is that you have to have a life to write about one. If you’re more worried about having experiences so you can write about them, I think you’re kinda being ridiculous, and I think a lot of young people look at it like that.
It's easier to write about heartbreak after you've had your heart broken. You have more material to draw from, you can extrapolate from your own experiences and make reasonable assumptions about how your characters would feel and act.
I hesitate to say yes - I had writer's block, because I know there are people who've had really serious cases of it, and I've never been paralyzed like that, but I definitely get blocked sometimes. More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.
You can now share your story anonymously much more easily than you could earlier and you can watch people have conversations about it. And when people come out and say negative things about you, there will be other people who have had similar experiences or who know people who have had similar experiences who will defend you.
I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
I had to have experience, you know what I mean? Because I've been doing this since I was 14... I couldn't write about anything at 14. I had to live some life. I definitely lived some life.
He, who had done more than any human being to draw her out of the caves of her secret, folded life, now threw her down into deeper recesses of fear and doubt. The fall was greater than she had ever known, because she had ventured so far into emotion and had abandoned herself to it.
I'm only 13, so I can't say "life experiences." So, basically, I had to... act! I had to make up character that is very old. I guess that's why they call it acting - you do draw from some stuff in your life, I guess, but it's not real life. You have to fake it.
There lived a redheaded man who had no eyes or ears. He didn’t have hair either, so he was called a redhead arbitrarily. He couldn’t talk because he had no mouth. He had no nose either. He didn’t even have arms or legs. He had no stomach, he had no back, he had no spine, and he had no innards at all. He didn’t have anything. So we don’t even know who we’re talking about. It’s better that we don’t talk about him any more.
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
When I lost my wife I had a whole different concept of her life. She lived 21 years and people who knew her know it wasn't about the great things she did on this earth. It wasn't that she had money or had popularity, it was that she loved Jesus Christ more than anything else in this world. That was how she related to the world.
I felt I had a very innocent childhood and I feel privileged by that. But as an adult, I know that there were people who didn't have that. There are a lot of teens who haven't had as easy a childhood as me, and having literature that explores these "darker" parts helps relieve the burden and stress they may be feeling. As a writer, there is often a temptation to draw back when we write for teens - to preserve their innocence. But the reality is, if someone has already had that innocence taken in their life, then not writing about it is just brushing it under the rug.
I talk to our kids now that they are grown up, and I ask them about the experiences that had growing up that really had a powerful influence on the way they view the purpose of life. The experiences that really shaped their values - my wife and I have no memory of those experiences!
I knew I wasn't going to write a record as soon as I got signed, because I hadn't had any life experiences. I was still at school, and I wasn't going to write about that.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
I definitely use life experiences. For me, it's extremely hard to write about something I don't know anything about. If I've never been angry, then I can't write about being angry. We're human beings so we all have emotions. To just have that knowledge, it definitely helps me out as a singer songwriter.
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