A Quote by Andy Biersack
I don't really have any interest in allowing other people's kind of idiotic, unnecessary, either bigotry or hatred or whatever derision they have for me, I don't allow for it to really bother me, because I don't need it.
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People gather details and comparisons but it doesn't really bother me or land on me of any sort. I don't know if I was... Maybe I was influenced by them, maybe I wasn't, but I don't know. I was probably influenced by everything I've heard. So it doesn't bother me at all, but it doesn't sway me either.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
I'd say my relation to being a woman is, I mean being a woman is whatever you want because the concept of gender is not really real, you know? And so for me it's about being comfortable in myself. It's about allowing myself to express who I am in any way that I want to, whether that be through my clothing, the way I present myself to the world, whether that be through like my gender identity and my pronouns. It's just really about allowing yourself to really be expressive and creative.
If I gave America any kind of hope or any kind of inspiration, I really want to say thank you for allowing me to continue doing that week after week.
There's a part of me that is really, really happy with all of my success lately because of what it can get me and what it can buy me in the fact that my music will hopefully reach more people. But it also makes me a little bit miserable because the minute the spotlight is on you, people start flinging sh*t at you for whatever reason.
I think I'm lucky, in a way, because with the criticism I get online, it's mostly from really young girls that are fans of One Direction, and they're kind of already known for being mean online. So the things that they insult me with are things that don't really bother me.
A lot of people don't think I can play. It doesn't really bother me, truthfully. If anything, it just motivates me. It makes me work harder, makes me kind of have a chip on my shoulder.
It's been kind of extreme - people either love it or they don't like it at all - and I think that's a good thing. It's my first art project where there's not a middle ground. I find it very interesting. But the negative feedback hasn't at all kept me from doing it, obviously. Because I haven't really gotten any negative feedback that I feel is really warranted.
Do you know what people really want? Everyone, I mean. Everybody in the world is thinking: I wish there was just one other person I could really talk to, who could really understand me, who'd be kind to me. That's what people really want, if they're telling the truth.
I honestly produce for myself, not for other people and everyone who supports me I'm really, really, really am thankful for the fact they are supporting me. However, in dance music, you need to switch it up sometimes.
Sometimes when my mom finds a fun article and really wants me to read it, I will. But I prefer to just kind of focus on what I want to do and not really what other people are saying, because I don't want that to affect me too much.
The dramas for me allow me to explore more behavioral, deeper psychological things. But the comedies obviously allow me to explore the idea of really working off other people. I'm having more fun doing that.
I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
It was really bizarre, that Sabzian business. You know I had no interest in being photographed before this incident. But then not just Sabzian—many other people started pretending they were me! One of them actually got married while pretending he was me! My face became publicly recognizable soon after I decided to have a few photographs of me available in public to prevent these sorts of identity thefts. It is really pathetic, if you think of it. Filmmakers and filmmaking is so popular in Iran because all other forms of expression have been denied to people.
I'm pretty good at compartmentalizing things and not allowing things outside of myself to distract me or bother me or affect me in any way.
It doesn't bother me that I didn't get all the recognition. It really doesn't. I tried to keep things as honest as possible. People will either appreciate it over the years or they won't.
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