A Quote by Andy Biersack
I'm writing songs with the hope someone can get behind my feeling.
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The songs I was writing still had lyrics or sentiments that didn't match what I was feeling. It was old, negative energy coming out of me still, but it needed to all get out so I could trash those songs and put them in the bin. And then I was able to let the new songs out.
Co-writing is a very unnatural feeling. It's like wanting to document a feeling that you have and then trying to get someone else to describe it for you.
There's this element of surprise when you're writing songs, like it's something outside of you that you get to be part of. And it's just exciting. And that's why I keep writing - because I like that feeling.
If you're writing songs by yourself, who's going to tell you if it's good or not? But if you're writing songs with somebody else, you get that immediate feedback.
The exciting part about sitting down and writing songs, playing shows, or being a musician in general is that you never know where those songs and that music is going to take you. There's such a cool feeling about that the phone could ring tomorrow and someone could say "he guess what? your song..." That really is cool.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
I love writing songs for other people, and it's an honor when someone records your songs.
Most of the time when musicians get together, there's always that variance - always someone's a little ahead of the beat, someone's a little behind, you just hope it meshes.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
Gospel songs are the songs of hope. When you sing gospel you have the feeling there is a cure for what's wrong, but when you are through with the blues, you've got nothing to rest on.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
I used to think that my songs were the best things that I would leave behind me. And I definitely think my kids are now. For starters, they're writing better songs than I was at their age.
Often, I write to feel better and to heal - to cope with things that I'm dealing with. I'm either writing to get out of a feeling or to get into the feeling, to feel it more. Usually it's the perfect remedy, but if it isn't, I focus on other parts of what I'm making that don't involve writing. If neither are working, I simply forfeit the day.
When I was writing some of songs for the record in Galapagos it was the feeling of being there I wanted to evoke more than anything. I remember hearing all the parts of the songs in my mind when I was walking around over the lava fields.
I get to do my own thing with music. I get to write the songs and sing the songs. As an actor, you have to do what someone else tells you to do and say someone else's words. And you're limited by the way you look and music is just more rewarding creatively for me.
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