A Quote by Andy Cohen

Jenny McCarthy was the one I thought could turn me straight. I thought that if I could just get my shot with her, it could happen. — © Andy Cohen
Jenny McCarthy was the one I thought could turn me straight. I thought that if I could just get my shot with her, it could happen.
I never thought that I could make a living out of my voice, to be completely honest. I thought that I could probably keep playing pubs. And it was exciting for me to get even just a pub gig in my town or country, when I went to university.
When I first tried the American accent, for a moment I thought I could never be an actor because I just could not do it. But then I thought, 'Okay, it'll just be something that I work at until I get it.'
I always thought it was the saddest and most devastating ending. How you could have these enormous dreams that never get met. How without knowing it you could just make yourself smaller over time. I don't want that to happen to me.
[her] mind blackens. The blackness is not a thought, but if it could be pressed into a thought, if a chemical from a dropper could be dripped onto it causing its color and essence to become visible, it would take the shape of this sentence: Why does no one want me?
When I heard about the Windrush issue, I thought, 'That could be my mum... it could be my dad... it could be my uncle... it could be me.'
Those of us who grew up in the '50s and '60s, we had the dream that this could be turned around, and the earth could be back in balance, and that we could level the playing field with men and women and pay, and you know, minority groups having equal opportunity. We just magically thought this was all going to happen: we were going to have clean food, and organic this, and conscious that, and it just didn't happen.
It's just that when you heard hip-hop, no matter where you were, it was a culture that kind of made you want to try to be part of it. Whether you thought you were an artist, whether you thought you could be a DJ, whether you thought you could breakdance, or whether you thought you could rap. It was the kind of culture that had a lot of open doors.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
I thought I'm going to die. So why can't I do everything? And what is this idea that I worked all day yesterday, so I'm tired today? I've never believed that.I thought, "Just suppose I could choreograph a ballet." And I did it. Suppose I could teach dance at the theater in Cleveland. And I did it. Suppose I could sing for a living - that I could stop these two jobs as a waitress and a salesperson.
I lost my brother when I was 22. He was only 24. I was always the kind of person to live on the edge, but after that, it made me feel like I could really die. It can really happen. Before then, I never thought it could happen to me or my family.
I knew I could play and I thought I could get away without working particularly hard because I could do stuff that other people couldn't.
When I found something I believed in and I cared about and thought I could market and sell and could be thought of creatively - the most important thing to me - I did it.
Slums could be thought of as the development of a special organ, or they could be thought of as a tumor that's grown, and in some ways is unhealthy and could ultimately lead to the city's destruction. My own feeling is that slums are probably a bit of both.
When I was a kid, I didn't know Canadians could be actors. I thought just Americans could get acting jobs.
I thought I could get myself into the music business by doing paralegal work. I was just trying to get in any way I could.
I didn't believe when I was first told that I have cancer. I thought, 'How can a young person like me get cancer?' I thought it could never happen to me. It took me a while to realise that I was diagnosed with cancer.
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