A Quote by Andy Cohen
I am so glad I was writing while on my last book tour, which was really meta, but I think a fascinating look inside the reality of what that whole madness is about.
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I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing.
The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it's a struggle. I am (as usual) attempting to write a book that's too hard for me. I'm telling a story I'm not smart enough to tell. The risk of failure is huge. But I prefer it this way. I'm forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I'll have written something that is better than I am.
While writing, I'm always so happy in the middle of a book or finishing a book and really hate starting them, so I often think, 'I wish I had a really big book to write to which I could devote seven years of my life.'
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
You're on your own with the book. And while you are writing fiction, you're spending all this time with people who don't actually exist, which is just madness.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I don't look at it as writing a book in a videogame universe. I look at it as writing for 'Halo', which for me, transcends being just a great video game. It's evolving into a whole new mythology.
That's one of the many things about having the bookstore that I adore. I can walk into the store and say to somebody, "I'm glad you're reading this book" or "I'm glad you're getting this book" or "Don't get that book. I read that book and hated that book. Let's get you this book instead."
You see one scene shot 25 times in one day, which is totally fascinating, but while you're watching it, you're remembering, 'This is what I was thinking when I was writing that part of the book,' and so it brings it all back very gradually as you're working.
I am glad to see the wheels are moving at last toward comprehensive immigration reform after last year's election. I am glad that immigrants are speaking up.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
I am really conscious about what I wear and how I look. I am glad that media has acknowledged this. Over the years, I have really groomed myself.
For 'Hey Monday,' there were songs that I co-wrote with songwriters or producers, but our last EP, the whole band did everything together. I've had a lot of experience with co-writes, which is basically what I'm doing now. I am writing things on my own, but I really believe co-writing makes you a better writer.
The book Forest Dark wants to provoke questions about what is reality and why are we so given to believe that reality is firm and unbendable. There's a whole host of questions that the book is asking about that. Why do we believe that the world is only one way and as we see it? Why are we not open to the ways in which it might be otherwise.
I think theres just this mystique of writing a book that appeals to people. A person has to really check their motives and say, Am I really being called by God to do this? Or is this just something that would look neat in my funeral? I dont mean to be harsh but I think a person really needs to, so they wont be disappointed.
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