A Quote by Andy Cohen
I was already in a groove and decided to initially write down everything, as I would in an actual diary, and then go back and take out what I was too shy to reveal. But I wound up leaving more in than I imagined, and that was because I wanted to be transparent and real.
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If I wanted to curse you out, I would write everything I wanted to say to you in my diary, and it was like screaming in my head. After that, I would have no feelings for you; I wouldn't be mad at you or upset because I already said it to you when I wrote it down. That's what writing did for me.
When I was 15, I decided to take up the sport seriously, so I went down to the Y.M.C.A. My first day there, this little Italian guy beat my brains out. I decided to quit. Then I realized I really wanted to be a fighter. I worked at it, went back, and that little Italian guy didn't beat me up no more.
I wound up getting my degree in sports medicine and nutrition because I wanted to work in the medical field. But I wound up taking a trip to Los Angeles and decided being an actor sounds pretty cool, too.
Right then, I wanted to go back in time and relive every moment with him. One more secret smile, one more shared laugh. One more electric kiss. Finding him was like finding someone I didn't know I was searching for. He’d come into my life too late, and now was leaving too soon. I remembered him telling he’d give up everything for me. He already had.
When I was at Brown, I wanted to write the great American novel, but I was too scared to take a creative course. I signed up for one, got in, and just didn't have the courage to go. I was a tremendously shy person, almost pathologically shy. The thought of peers critiquing my work - oh, God.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
I'm a private person, I'm shy about people knowing things. And I'm really shy about my medical (care). It would be good if I could just go and heal and then when I decided to go out, it would be okay. It seems that there are areas that should be off-limits.
I would tell myself, "Love yourself and don't be afraid to take risks." I was often afraid to take risks, socially, because I was young and a little more shy and still figuring out who I wanted to be. Sometimes I look back and think, "I should have just been bolder and more confident."
When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
The only thing more unthinkable than leaving was staying; the only thing more impossible than staying was leaving. I didn't want to destroy anything or anybody. I just wanted to slip quietly out the back door, without causing any fuss or consequences, and then not stop running until I reached Greenland.
I haven't written for a few days, because I wanted first of all to think about my diary. It's an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I-nor for that matter anyone else-will be interested in the unbosomings of a thirteen -year -old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.
I'm so old that when I started keeping a diary they were in actual books, and I think that's one the reasons that I've never written about sex. Because early on you had to worry that someone was going to find your diary, so it's bad enough to be writing like Joan Didion, but writing like Joan Didion about sex acts you'd performed with somebody you had known for 20 minutes, that's a bit worse. So I would write in my diary, "I met J. and we had sex five times last night." But I would never write about what we did.
Don't tell girls they can be anything they want when they grow up. Because it would have never occurred to them that they couldn't. It's like saying, 'Hey, when you get in the shower, I'm not gonna read your diary.' 'Wait--are you gonna read my diary?' 'No! I said I'm not gonna read your diary. Go take a shower!'
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real life' conversation-would be disruptive. Of what? Of the illusion of the novel. In 'real life' everything is diluted; in the novel everything is condensed.
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