A Quote by Andy Dalton
When I'm on the field, if something doesn't go exactly as it's planned, I'm going to say something before a coach is going to say something. I'm going to get to it quicker and try to get it corrected.
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The best thing that a coach can have is experience. The first time that you're going out to lead a team on the field, you have certainly thought about what you're going to say, but it gets easier as you go. You'll learn what works and what doesn't, not just about what you do on the field but what you say to players to get them motivated.
The main thing I learned is that the more I can forget about being embarrassed when I make something, the more it is going to mean something to somebody else. I can't anticipate what it's going to be or how it's going to be perceived, so the quicker I let go of something I make, the better.
Quarterback and cornerback are two of the hardest positions to play on the field, so yeah, you're going to get beat, you're going to throw interceptions, you're going to get sacked, you're going to miss throws. Stuff like that is going to happen. That's something you've been prepping for your whole life playing the position.
I'm not going to Russia and tell them to go to hell and think - that's not the way things are done. You chip away at something and you hope that there will be dialogue and that the situation can get better. You don't just go in there with guns blazing and say well, to hell with you because they're going to say to hell with you and get out of the country.
I knew David Lynch going to television was going to be something. It was either going to not work, nobody was going to get it and it would disappear, or it was going to be something special and really stand out.
Anyone who buys a ticket can just go in there, and I don't like everyone, so I always see concerts as like, I'm going to get punched, I'm going to get elbowed, I'm going to get stepped on, get spilled on, someone's going to hit me with their body odor or something.
I always said if I lived to get grown and had a chance, I was going to try to get something for my mother and I was going to do something for the black man of the South if it would cost my life; I was determined to see that things were changed.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
If something's bugging my ass on any particular day, I'm probably going to say something about it, but I'm not going to go on a tirade.
I still start to get panicky each morning before I go on television. I'll say, 'I'm in awful shape, something is wrong,' and if I start to look like I'm going off the deep end, Jimmy Straka, the stage manager, will say, 'You're all right. Calm down.' Then Bryant Gumbel will grab me by the leg or something.
I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
I didn't say wonderful, I say eminent domain is something you need Chris. Eminent domain - if I build a highway - go ahead. I know exactly what you're saying. But if I build a highway, and if something's in the way of the highway, you're going to have to do something with that.
If I'm going to do something a little bit more adult, I'll do it if it's going to be on at a different time slot or if it's going to be something that kids won't be able to get their hands on.
If I'm going to do something a little bit more adult, I'll do it if it's going to be on at a different time slot or if it's going to be something that kids won't be able to get their hands on
My normal way of filming something is, like, one camera, very well planned out, knowing exactly how we're going to get each shot.
When I get a script, I try to create something and where we're going to go with a scene, because I don't know what we're going to see ahead, which is really cool.
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