A Quote by Andy Dalton

I feel like I've always had a quick release. — © Andy Dalton
I feel like I've always had a quick release.
I've always felt like I've had the tools to be a good defender - long and quick, still working on my strength - I feel like I've had the tools, I just have to go out there and do it.
Even when you're producing difficult material and you get emotional, after it you feel good; you feel like you've done a good job, or had an emotional release. I've always enjoyed that, but you go home and think, that was a good day's work, and you move on.
I had always been the kind of boy who was quick to laugh and quick to cry.
Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely.
I feel like I'm a quick learner and I'm also very quick to forget. That's why I can't play an instrument because I can't bloody remember it.
If you nevertheless want to know what I feel when I release a bomb, I will tell you: I feel a light bump to the plane as a result of the bomb's release. A second later it's gone, and that's all. That is what I feel.
In photography, you've got to be quick, quick, quick, quick...Like an animal and a prey.
Children are very quick observers; very quick in seeing through some kinds of hypocrisy, very quick in finding out what you really think and feel, very quick in adopting all your ways and opinions. You will often discover that, as the father is, so is the son.
Whenever best friends get into a fight, I feel like it is always quick to resolve.
Kids, they are always hurting themselves. It's like, "Quick, get me to casualty quick!" while your doing something important like sitting down picking your ear.
I would also hope that readers receive a larger understanding, or a different understanding, of what it means to be human, than they might have had before. We suffer from being quick to judge, quick to make excuses for ourselves and others, and I would like the reader to feel that we are all, more or less, in a similar state as we love and disappoint one another, and that we try, most of us, as best we can, and that to fail and succeed is what we do.
I've got a good, quick release.
The pressure was always there, but I feel like it was almost invisible to me. I had too much going on once I got rolling with Evolution and won my first title. They say the cream rises to the top, and I felt like the cream. I rose to the top real quick, and I was surrounded by Triple H, Ric Flair, Shawn Michaels, Undertaker, these guys who were very well respected in the profession, and they wanted to work with me.
I feel like I always had a yin and yang experience with music. I've always been able to rock out, and then I've always had to take piano lessons, too.
What a great unifier getting scared is. Not in an actual threatening, real-world way, but getting scared from horror movies or haunted houses or ghost stories. You laugh because it's a release. People laugh when they're nervous. I laugh so much at a haunted house. It's out of fear, but it's also a wonderful release. Getting scared like that, you feel good, and you feel exhilarated afterwards.
I thrive on quick players getting to the byline and sending over crosses. I just have to be quick enough to get on the end of things. In that regard, my job has always been the same, but if we have more wide, quick players, that can only be good for me.
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