A Quote by Andy Daly
I never really thought I had much to add to the conversation that was occurring at 'MADtv.' I didn't know what I would do on the show. But I showed up, and I was surprised - it was fun to work on. Everybody there was really nice, and they seemed to be interested in my contributions.
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The first two years I was on 'MADtv' were really, really fun. We always thought it was 'Saturday Night Live's very nice, slightly asthmatic, shorter cousin.
When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
I thought I had to work at someplace everybody's heard of. It was never, 'I'm interested in such and such. I want to work in such and such magazine.' It was like, 'Oh, my G-d, I really need to work for somebody so people will think I'm OK.' So I got a job at 'Popular Mechanics'.
My father showed me so much love. He showed my brother so much love. He just, he had a rough life. You know, he grew up in a boys home in the Bronx. He didn't really know his own family. So I couldn't hold it against him that he didn't know how to parent. He didn't know how to be the perfect husband. But he loved as much as he could.
'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that.
I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
I would love to play a show with Kanye West. That would be amazing. I want to play a show with Tom Petty or Bruce Springsteen. It would be really fun, especially to stick around, watch their show and watch how they work a crowd. It's really a wonderful thing.
I wasn't so interested in merchandising through CD or whatever form. I wasn't really so aggressive about promoting my own work. I had my recordings from the past, but I never thought someone was interested in releasing it.
Voice-over stuff is so much fun because you don't have hair and makeup and wardrobe. You get to show up. And there were some talented people, and we don't even know them. And they're so gifted. They can do all these accents and voices. It's really fun to do that stuff. It's really like actor camp.
Innocence is the way you really give fun to others, create the fun part of it. The fun is created only through innocence and innocence is the only way you can really emit also the fun. Imagine this world without any fun, what would happen? But people are very much confused between fun and the pleasure. The pleasure is nice to begin with and horrible to end with. But fun is a treasure. Anything that is full of fun you remember all your life.
You know, back when I was a kid who wanted to be in show business, everybody on TV wore nice clothes. They were very glamorous when they would be on the 'Tonight Show.' All the dudes wore suits and ties and that just seemed like real show business to me.
Everybody would like to be good, that's the silly thing, everybody always likes it when they're having a nice time or when they're happy or when it's sunny, they all dig it; but then they go and forget about it, they never really try to make it nice. They think that it just comes along and it's nice if you're lucky, or if you're unlucky it's bad for you.
The thing that surprised me and really puzzled me is that the job is really fun. Yahoo is a really fun place to work.
The only show I ever really wanted to do was 'SNL.' It was some sort of merging of my talent and my metabolism. It suited who I am and what I do really well, though whatever I was thinking it was, it kept mutating and growing. At first, I didn't even know that the cast would be the thing everybody talked about. We thought it would be the hosts.
I was a very introverted individual and this became an important outlet for me to express myself, to communicate, to take positions, make statements, take a stand and so forth. But I never really thought I had much a future at all So the thing that I had to do was to really go inward and really work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist.
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