A Quote by Andy Daly

One of my favorite comedy performances of all time is Charles Grodin in 'Midnight Run,' and in a lot of things he's done. I think he's hilarious as the straight man, playing it real.
Two actors who have different motivations and skill sets can work together and be magic. Charles Grodin and Robert DeNiro technically couldn't work more differently, and yet they made 'Midnight Run,' which is a genius comedy.
I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious.
All jokes aside, it's a very difficult job playing the straight man. Jason is potentially the most brilliant straight man that ever was because he's also really funny while doing it, which is even harder. I've always seen myself playing characters who are flawed. We use comedy in our lives to obscure the drama.
If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.
I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
You think of movies like 'Midnight Run' and '48 Hours', those are great movies, especially 'Midnight Run.'
There is no difference between alternative and traditional club comedy. People think there's a difference, but I don't think so. It's like gay men versus straight men. There's no difference. They both like sucking penises. But truth be told, I don't even believe alternative comedy is a real thing anymore. I think at this point, it's just a buzz word to make things seem cool and different and hip.
Here's a woman, a real pioneer for other women looking for careers in stand-up comedy. And talk about guts - she would come out here and sit in this chair and say some things that were unbelievable - where you would have to swallow pretty hard... but it was hilarious... the force of her comedy was overpowering.
I think Damien Hirst is hilarious. And I think he's a true artist. He's not hilarious first; I think he is a real artist, and I also think he's got an amazing sense of humor.
There have been amazing performances by straight people playing gay and by gay people playing straight.
There is something to be said though when you have 4 or 5 guys playing with no net, there is a sense of urgency, It is organic with a lot of anticipation and you can hear it, the way it is played. My favorite bands that I love from way back have a lot of things going on and it makes it real, it is not tangible but it is the spirit of the moment.
I was influenced by a lot of comedy growing up, I had good parents. They were funny, too. My mom was hilarious; my dad was hilarious. I guess being at home around the environment was just a good stage to get started.
I prefer comedy, as I have to act while playing a gangster. I have to put in a lot of effort to turn into a gangster, as I am not like that in real life. In comedy, one doesn't have to take up such stress.
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