A Quote by Andy Dick
He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.
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When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
I did my first movie,a movie called Whiffs, which very few people ever saw.
Does everybody have their WWJD bracelets on? 'Cause I was wearing my bracelet recently, and I was in the movie theater, and this guy's cell phone went off - don't you just hate that? Then he picked it up, 'Hey, how's it going? I'm in a movie.' And I'm like, 'Hey! Get off the phone!' And he's like, 'Mind your own business.' And I almost went crazy, but then I looked at my bracelet: what would Jesus do? So I lit him on fire and sent him to Hell.
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
In fact, I get angry when people laugh at me. I go to the airport and the ground hostess starts laughing at me when she sees me. I get irritated and ask them if I just did some comedy for them to laugh like that. But then I apologise because I know they must have remembered some movie scene that I did.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
I did an ABC Family movie called 'Cyberbully' a couple years ago, and it was unlike any movie I'd ever done before. I remember just reading the script and thinking, 'OK, she cries in every scene.'
I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
I did a Christmas movie where I played Mrs. Claus because my children's favorite movie of all time was a Christmas movie that my father did in which he played Santa, and I was like, 'How often do they make a movie about Mrs. Claus?' and, 'My kids will love this.'
Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by Kazan and was called Baby Doll.
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