A Quote by Andy Dunn

The youngest boy in an Indian family has a good life. Growing up in a matriarchal family where my Indian mom's culture was dominant, I experienced this first hand. — © Andy Dunn
The youngest boy in an Indian family has a good life. Growing up in a matriarchal family where my Indian mom's culture was dominant, I experienced this first hand.
The matriarchal society is thus the decadent and broken. The strongly matriarchal character of Negro life is due to the moral failure of Negro men, their failure to be responsible, to support the family, or to provide authority. The same is true of American Indian tribes which are also matriarchal today.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
I had an Indian face, but I never saw it as Indian, in part because in America the Indian was dead. The Indian had been killed in cowboy movies, or was playing bingo in Oklahoma. Also, in my middle-class Mexican family indio was a bad word, one my parents shy away from to this day. That's one of the reasons, of course, why I always insist, in my bratty way, on saying, Soy indio! - "I am an Indian!"
Indian standards of artistry, and Indian standards of humanity, and Indian standards of love, and of family, devotion, commitment, stand for me as the standard for how one should behave.
I won't say there's disrespect for the Indian home cook, but I was never exposed to that. Even in a semi-urban Indian family, you will find a maid. And once you meet these people, you realise they cook purely out of passion or love for the family.
The percentage of Indian kids doing some sort of artistic work is much higher than in the general population - painting, drawing, dancing, singing. The creation of art is still an everyday part of Indian culture, unlike the dominant culture, where art is sort of peripheral.
I'm the youngest of four siblings and the baby of the family. My family just treated me like anyone else growing up. They taught me that everyone has a special and unique trait about them, and that mine is that I have a girl brain and a boy body.
In writing of Indian culture, I am highly conscious of my own subjectivity; arguably, there is more than one Indian culture, and certainly more than one view of Indian culture.
I have a British passport, but the rest of my family have Indian passports, and I am Indian.
I am extremely honoured by Indian Council For Culture Relations, India's apex body on the promotion of great Indian culture across the world for including cinema and I am deeply honoured for being the first person from the Indian film industry to represent the cause of this industry in the overall cultural promotion globally.
In my family, as in most middle-class Indian families I knew when I was growing up, science and mathematics were held in awe.
Yes, TV is the dominant medium in Pakistan, but it was a conscious decision to have an Indian film as my first release. Being launched in an Indian film with a great script, character, and music is half the battle won. The rest is destiny.
When I first came to Harvard, I thought to myself, 'What kind of an Indian am I?' because I did not grow up on a reservation. But being an Indian is a combination of things. It's your blood. It's your spirituality. And it's fighting for the Indian people.
While growing up in Scotland, which has a large Indian population, I would end up eating a lot of Indian dishes. So, it is familiar to me.
Indian culture certainly gives the Indian mind, including the mind of the Indian scientist, the ability to think out of the box.
The only thing I wish was happening more was that there were more Indian characters. Like the movies with leads that are Indian and they talk about Indian culture versus Americanized Indians.
This site uses cookies to ensure you get the best experience. More info...
Got it!