A Quote by Andy Garcia
Everything I do in my life is very instinctual and in the moment. If I'm attracted to something, that's it. If I have reservations, those don't change till they're resolved. My first impression is how I go.
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Till 'Mulk' and 'Article 15,' I used to deny that there is a change. Now I feel there is certainly a change, what kind of change, I don't know. Now I get attracted to different things - story or a performance. Earlier I used to get attracted to grand visuals, size of the film and how big the starcast was. Now I am not attracted to these things.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."
Everything can change, but Indian movies will not change much because we're so used to the dance and songs and everything. Even Americans are getting very attracted to all this.
I think what we're attracted to on the page is something that is very difficult to do in life, which is to examine in what seems like a moment. To examine what we can't do in life very well, which is to be as present and accountable to what an experience is. That's why life is short and art is very long.
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
Sixty percent of all Indians live in urban areas, but nobody's writing about them. They're really an underrepresented population, and the ironic thing is very, very few of those we call Native American writers actually grew up on reservations, and yet most of their work is about reservations.
I base everything on my instinctual approach. There's something very satisfying in that creativity, and it's a bit like an infant drawing.
There seems to be something in the zeitgeist, and maybe it's a function of - I'm no analyst, nor am I a psychologist - when you look at things and say, What if I could go back and change things? I think we live in a world right now where people are asking those questions a lot. What if we could go back and change what we did? How would we change the way we handled things in the Middle East, and how would we change things with the banking industry, and how would we change economic and educational issues?
I think a lot of the inspirations for me are very instinctual and subconscious. I don't over intellectualize stuff much. It's a very instinctual thing.
You have to do your best to face every moment, because this moment will never come again. The moment that you are living right now is a very important opportunity to make your life vividly alive. If you want to live with spiritual security in the midst of constant change, you have to burn the flame of your life force in everything you do.
Cover the canvas at the first go, and then work on till you see nothing more to add ... Don't proceed according to rules and principles, but paint what you observe and feel. Paint generously and unhesitatingly, for it is best not to lose the first impression.
Language is a signifier - it points to something. But those somethings change sometimes. Where the line comes down is that change is not in the dictionary first, it's not: change the signifier and the signified will go away.
We all have that moment in life when something terrible happens for the first time. Something so unexpected, so awful, that it takes the magic out of the world. Life becomes harder, colder. And everything we do in our lives, from that day on, is our way of coping with that one moment. We stop living and we merely exist. We either choose to move on from that, or we let it consume us.
You all know the saying which is very true: What you resist persists. And I'm sure many of you have already found that out in your life. And then suddenly when you let go of resistance you let go of an attachment to something: I need this to happen in order to be happy; I don't want what is, I want something else. To be okay with what is, which is the simplicity of this moment, is the beginning of true change.
Many politicians are in the habit of laying it down as a self-evident proposition that no people ought to be free till they are fit to use their freedom. The maxim is worthy of the fool in the old story who resolved not to go into the water till he had learned to swim.
A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?
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